Category: Education

  • [Solved] Plan Part 1

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    – ## GradingRubric.docx – ## Instructions.docx – ## EXAMPLE.pdf – 6thEdition.pdf **## GradingRubric.docx** **EDL 502** **Assignment 2 Part 1: Resource Analysis and Monitoring Plan** | | | | | | — | — | — | — | | **Standard** | **Level 1**<br>**Approaching Standard**<br>**0-31 points** | **Le…

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    Assignment Prompt & Instructions

    – ## GradingRubric.docx

    – ## Instructions.docx

    – ## EXAMPLE.pdf

    – 6thEdition.pdf

    **## GradingRubric.docx**

    **EDL 502**

    **Assignment 2 Part 1: Resource Analysis and Monitoring Plan**

    | | | | |
    | — | — | — | — |
    | **Standard** | **Level 1**<br>**Approaching Standard**<br>**0-31 points** | **Level 2**<br>**Meets Standard**<br>**32-35 points** | **Level 3**<br>**Exceeds Standard**<br>**36-40 points** |
    | Effective educational leaders manage school operations and resources to promote each student’s academic success and well-being.<br>PSEL 9 | Summary and analysis of the leadership style and skills of the interviewee as related to school operations and management is limited or weak. The summary provides evidence of two or less of the following: <br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. | Summary provides an analysis of the leadership style and skills of the interviewee as related to school operations and management. The summary provides evidence of at least three of the following: <br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. | Summary provides an in-depth analysis of the leadership style and skills of the interviewee as related to school operations and management. The summary provides evidence of the candidate’s:<br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. |

    **## Instructions.docx**

    **Instructions**

    1. NELP 6.1, 6.2, PSEL 3h, 4e, 9b, 9c, 9d, 9f, 9g

    Field Experience Hours: 5

    **Overarching Question:** How does the management of school operations and resources promote the success and well-being of each student and adult in the school community?

    You will interview a member of the administrative team to collect information on and assess the efficacy of the operations and management of a specific school system procedure (i.e., building the master calendar or schedule, funding, employee relations, budget development, day-to-day operations, or resource allocations) and to analyze the leadership style and skills of the interviewee.  The assignment will be completed in two parts; one due in Module 3 and the other in Module 4.

    **Module 3:  Part 1**

    Conduct your interview and collect your data using the questions provided which have been developed using Professional Standards for Educational Leaders 2015 Standard 9: Operations and Management.  Based on the responses from your administrator and what you observe on a day-to-day basis, analyze their leadership style and skills.  You can use the “Observational Exercises” on pp. 97 – 98 and p. 123 to help organize your data and report your findings.  Provide a 3-4-page summary of your analysis with specific examples from both your interview and observations that support your conclusions. Cite resources as needed.  Cover page and reference list provided in addition to the 3–4-page summary.

    **Checklist for Part 1**

    1. Identify the school system procedure which will become the focus of your interview (i.e., building the master calendar or schedule, funding, budget development, employee relations, day-to-day operations, resource allocations, food service, transportation, etc.)

    2. Based on the system selected, determine which of your school administrators will be the most appropriate candidate for your interview and set up your interview appointment.  This will need to be completed as quickly as possible to allow time for your analysis and submission of Part 1 at the end of Module 3.

    3. Conduct the interview using the questions provided.  You may modify the interview questions as needed as long as you don’t jeopardize the intent of the interview.  Note, that where you see a blank line in the question, simply insert the name of the system or set of procedures that is the focus of your interview.

    4. Using the interview responses, and the Observational Exercises 4.4 and 5.4 (pp. 97-98, 123), complete your analysis of the interviewee’s leadership style and skills.

    5. Provide a 3 – 4-page summary of your analysis with specific examples from both your interview and observations that support your conclusions. Cite resources as needed.  Cover page and reference list provided in addition to the 3–4-page summary.

    **Interview Questions:**

    1. How do practices and procedures for ___________ promote the mission and vision of our school?  How do school improvement goals and initiatives factor into related decisions?

    2. What role do teachers play in related decisions? How is the process managed to optimize the professional capacity of teachers and staff?

    3. How is curriculum, instruction, and assessment factored into decisions made related to _______?

    4. How do related procedures support student learning, professional capacity and community, and family and community engagement?

    5. What ethical norms and accountability procedures influence choices, decisions, and implantation?

    6. How do you minimize or protect other management and operational systems from unexpected consequences or disruptions?

    7. To what extent does technology improve the quality and efficiency of _____________?

    8. Describe the data collection and communication system that monitors implementation and delivers information to your school community and informs school improvement.

    9. Are there local, state, or federal laws, rights, policies, or regulations to which you must comply?

    10. Describe the relationships with your feeder schools as it relates to ________.  How do these relationships enhance enrollment management and curricular and instructional articulation?

    11. What role does central office and/or the school board play in decisions related to this system?

    12. How are internal and external politics managed to minimize any negative influence on the school’s mission and vision?

    **## EXAMPLE.pdf**

    1
    Resource Analysis and Monitoring Plan Part 1

    Resource Analysis and Monitoring Plan Part 1

    Travis Chase

    Role of the Principal EDL 502

    Andrew Cockley

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    2
    Resource Analysis and Monitoring Plan Part 1

    Day to Day Operations

    The school system procedure I chose to focus on is the day-to-day operation of my

    school building. I chose this focus due to the unique aspect of my current school building. My

    current school is the second-largest school in the state of Maryland in terms of the student

    population. We have over 2700 students enrolled at my school for the 2021-22 school year.

    Additionally, due to the large auditorium and space, my building is the center of county activities

    such as bus driver and teacher job fairs, county media promotion, and political campaign

    rallies. Many of these events can happen during the school day and can add additional

    challenges to the normal day-to-day operation of twenty-seven hundred students and an

    additional one and fifty staff members. Due to the large student population, there are 9

    members on the current administrative team. There are eight assistant principals ( two per

    grade level) and then the school principal.

    Assistant Principal

    For the purpose of collecting data, I was able to interview one twelfth-grade assistant

    principal and one ninth-grade assistant principal. The twelfth-grade assistant principal is in her

    third year of being an administrator. She was previously a coordinator for a separate special

    education program for eight years where she performed several of the same administrative

    duties as she does now. As the assistant principal, she oversees the History department which

    is one of the smallest departments in the school. She has matriculated with the current seniors

    since their tenth-grade year. Through the pandemic, she has created a strong bond with the

    parents and students over the last three years. Additionally, this is her first time having a

    graduating class and performing many additional administrative duties that are required as the

    administrator over the senior class. Interpersonal Skills

    Interpersonal are people skills, those abilities that help administrators work effectively

    with staff, students, and parents to accomplish common goals. Over the last two years, I have

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    3
    Resource Analysis and Monitoring Plan Part 1

    observed this administrator be socially perceptive in understanding the various needs of

    parents, students, and staff during a global pandemic. Whether it’s reaching out to parents to

    check on the health and safety of students who had prolonged absences or themselves and or

    close family contract covid. She had demonstrated skill in handling conflict. Due to the teacher

    shortage, we have several vacancies, especially within the special education department.

    General education teachers are being tasked to teach co-taught classes without a special

    educator. The general educators are frustrated due to the lack of support. This administrator

    was able to facilitate a meeting between co-teachers and special education department chairs

    to develop a plan to provide some additional planning support to the co-teachers during their

    planning to support the general educator and special education students. This aligns with the

    school vision to “develop a culture of mutual respect and academic excellence.” Additionally, she

    piloted a program to add the position of parent engagement specialist. This is an effort to bridge the gap

    between what goes on here are school and what is going on in the community. We are finding that a lot

    of the incidents that we have here at school started in the community.

    Administrative Skills

    Administrative skills play an important role in effective leadership, they help leaders complete

    tasks based on their abilities to carry a school vision and or mission statement. An important component

    of administrative skills in managing people, showing technical skills, and managing resources. Resources

    are the key to any school building. Due to the pandemic water fountains are turned off in school

    buildings. The county provided each school with monthly bottled water supplies, however, due to the

    large size of the building we quickly exhaust our supply. I observed this administrator reaching out to

    local vendors for free donations, sending out an email blast to parents as well as presenting to the

    parent-teachers association (PTA) seeking supply donations for additional resources. I observed her

    collaborating with the planning team to discuss assessment data and how that data will drive the plan of

    instruction in the building. She met with the History department to develop a plan on how they were

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    4
    Resource Analysis and Monitoring Plan Part 1

    going to support the English department with cross-curricular learning tasks. Through collaborative

    planning, a literacy task was developed and completed through the English and history departments. The

    tasks were scored and data was collected and shared between both departments.

    Conceptual Skills

    Conceptual skills can be divided into three categories problem solving, strategic planning

    and creating vision. While I haven’t had a direct observation of this administrator strategically

    planning or creating the vision of the school, I have seen her support the implementation of the

    vision through daily enforcing daily rules i.e. arriving to class on time and being prepared when you

    enter class. We have a zero-tolerance for bullying and fighting. Our school improvement goals are around

    English 10 and Algebra. In these areas, she has worked with the administration to the team to ensure we

    have veteran teachers who scored highly effective within the last two school years on their end-of-the-

    year performance evaluation.

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    5
    Resource Analysis and Monitoring Plan Part 1

    References

    Northouse, P. G. (2021). Introduction to Leadership: Concepts and Practice (5th ed.). N.p.:
    Sage.

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    6
    Resource Analysis and Monitoring Plan Part 1

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/
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    **6thEdition.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/6thedition-pdf-10321733)

    **6thEdition.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/6thedition-pdf-10321733)

    **## GradingRubric.docx**

    **EDL 502**

    **Assignment 2 Part 1: Resource Analysis and Monitoring Plan**

    | | | | |
    | — | — | — | — |
    | **Standard** | **Level 1**<br>**Approaching Standard**<br>**0-31 points** | **Level 2**<br>**Meets Standard**<br>**32-35 points** | **Level 3**<br>**Exceeds Standard**<br>**36-40 points** |
    | Effective educational leaders manage school operations and resources to promote each student’s academic success and well-being.<br>PSEL 9 | Summary and analysis of the leadership style and skills of the interviewee as related to school operations and management is limited or weak. The summary provides evidence of two or less of the following: <br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. | Summary provides an analysis of the leadership style and skills of the interviewee as related to school operations and management. The summary provides evidence of at least three of the following: <br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. | Summary provides an in-depth analysis of the leadership style and skills of the interviewee as related to school operations and management. The summary provides evidence of the candidate’s:<br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. |

    **## Instructions.docx**

    **Instructions**

    1. NELP 6.1, 6.2, PSEL 3h, 4e, 9b, 9c, 9d, 9f, 9g

    Field Experience Hours: 5

    **Overarching Question:** How does the management of school operations and resources promote the success and well-being of each student and adult in the school community?

    You will interview a member of the administrative team to collect information on and assess the efficacy of the operations and management of a specific school system procedure (i.e., building the master calendar or schedule, funding, employee relations, budget development, day-to-day operations, or resource allocations) and to analyze the leadership style and skills of the interviewee.  The assignment will be completed in two parts; one due in Module 3 and the other in Module 4.

    **Module 3:  Part 1**

    Conduct your interview and collect your data using the questions provided which have been developed using Professional Standards for Educational Leaders 2015 Standard 9: Operations and Management.  Based on the responses from your administrator and what you observe on a day-to-day basis, analyze their leadership style and skills.  You can use the “Observational Exercises” on pp. 97 – 98 and p. 123 to help organize your data and report your findings.  Provide a 3-4-page summary of your analysis with specific examples from both your interview and observations that support your conclusions. Cite resources as needed.  Cover page and reference list provided in addition to the 3–4-page summary.

    **Checklist for Part 1**

    1. Identify the school system procedure which will become the focus of your interview (i.e., building the master calendar or schedule, funding, budget development, employee relations, day-to-day operations, resource allocations, food service, transportation, etc.)

    2. Based on the system selected, determine which of your school administrators will be the most appropriate candidate for your interview and set up your interview appointment.  This will need to be completed as quickly as possible to allow time for your analysis and submission of Part 1 at the end of Module 3.

    3. Conduct the interview using the questions provided.  You may modify the interview questions as needed as long as you don’t jeopardize the intent of the interview.  Note, that where you see a blank line in the question, simply insert the name of the system or set of procedures that is the focus of your interview.

    4. Using the interview responses, and the Observational Exercises 4.4 and 5.4 (pp. 97-98, 123), complete your analysis of the interviewee’s leadership style and skills.

    5. Provide a 3 – 4-page summary of your analysis with specific examples from both your interview and observations that support your conclusions. Cite resources as needed.  Cover page and reference list provided in addition to the 3–4-page summary.

    **Interview Questions:**

    1. How do practices and procedures for ___________ promote the mission and vision of our school?  How do school improvement goals and initiatives factor into related decisions?

    2. What role do teachers play in related decisions? How is the process managed to optimize the professional capacity of teachers and staff?

    3. How is curriculum, instruction, and assessment factored into decisions made related to _______?

    4. How do related procedures support student learning, professional capacity and community, and family and community engagement?

    5. What ethical norms and accountability procedures influence choices, decisions, and implantation?

    6. How do you minimize or protect other management and operational systems from unexpected consequences or disruptions?

    7. To what extent does technology improve the quality and efficiency of _____________?

    8. Describe the data collection and communication system that monitors implementation and delivers information to your school community and informs school improvement.

    9. Are there local, state, or federal laws, rights, policies, or regulations to which you must comply?

    10. Describe the relationships with your feeder schools as it relates to ________.  How do these relationships enhance enrollment management and curricular and instructional articulation?

    11. What role does central office and/or the school board play in decisions related to this system?

    12. How are internal and external politics managed to minimize any negative influence on the school’s mission and vision?

    **## EXAMPLE.pdf**

    1
    Resource Analysis and Monitoring Plan Part 1

    Resource Analysis and Monitoring Plan Part 1

    Travis Chase

    Role of the Principal EDL 502

    Andrew Cockley

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    2
    Resource Analysis and Monitoring Plan Part 1

    Day to Day Operations

    The school system procedure I chose to focus on is the day-to-day operation of my

    school building. I chose this focus due to the unique aspect of my current school building. My

    current school is the second-largest school in the state of Maryland in terms of the student

    population. We have over 2700 students enrolled at my school for the 2021-22 school year.

    Additionally, due to the large auditorium and space, my building is the center of county activities

    such as bus driver and teacher job fairs, county media promotion, and political campaign

    rallies. Many of these events can happen during the school day and can add additional

    challenges to the normal day-to-day operation of twenty-seven hundred students and an

    additional one and fifty staff members. Due to the large student population, there are 9

    members on the current administrative team. There are eight assistant principals ( two per

    grade level) and then the school principal.

    Assistant Principal

    For the purpose of collecting data, I was able to interview one twelfth-grade assistant

    principal and one ninth-grade assistant principal. The twelfth-grade assistant principal is in her

    third year of being an administrator. She was previously a coordinator for a separate special

    education program for eight years where she performed several of the same administrative

    duties as she does now. As the assistant principal, she oversees the History department which

    is one of the smallest departments in the school. She has matriculated with the current seniors

    since their tenth-grade year. Through the pandemic, she has created a strong bond with the

    parents and students over the last three years. Additionally, this is her first time having a

    graduating class and performing many additional administrative duties that are required as the

    administrator over the senior class. Interpersonal Skills

    Interpersonal are people skills, those abilities that help administrators work effectively

    with staff, students, and parents to accomplish common goals. Over the last two years, I have

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    3
    Resource Analysis and Monitoring Plan Part 1

    observed this administrator be socially perceptive in understanding the various needs of

    parents, students, and staff during a global pandemic. Whether it’s reaching out to parents to

    check on the health and safety of students who had prolonged absences or themselves and or

    close family contract covid. She had demonstrated skill in handling conflict. Due to the teacher

    shortage, we have several vacancies, especially within the special education department.

    General education teachers are being tasked to teach co-taught classes without a special

    educator. The general educators are frustrated due to the lack of support. This administrator

    was able to facilitate a meeting between co-teachers and special education department chairs

    to develop a plan to provide some additional planning support to the co-teachers during their

    planning to support the general educator and special education students. This aligns with the

    school vision to “develop a culture of mutual respect and academic excellence.” Additionally, she

    piloted a program to add the position of parent engagement specialist. This is an effort to bridge the gap

    between what goes on here are school and what is going on in the community. We are finding that a lot

    of the incidents that we have here at school started in the community.

    Administrative Skills

    Administrative skills play an important role in effective leadership, they help leaders complete

    tasks based on their abilities to carry a school vision and or mission statement. An important component

    of administrative skills in managing people, showing technical skills, and managing resources. Resources

    are the key to any school building. Due to the pandemic water fountains are turned off in school

    buildings. The county provided each school with monthly bottled water supplies, however, due to the

    large size of the building we quickly exhaust our supply. I observed this administrator reaching out to

    local vendors for free donations, sending out an email blast to parents as well as presenting to the

    parent-teachers association (PTA) seeking supply donations for additional resources. I observed her

    collaborating with the planning team to discuss assessment data and how that data will drive the plan of

    instruction in the building. She met with the History department to develop a plan on how they were

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    4
    Resource Analysis and Monitoring Plan Part 1

    going to support the English department with cross-curricular learning tasks. Through collaborative

    planning, a literacy task was developed and completed through the English and history departments. The

    tasks were scored and data was collected and shared between both departments.

    Conceptual Skills

    Conceptual skills can be divided into three categories problem solving, strategic planning

    and creating vision. While I haven’t had a direct observation of this administrator strategically

    planning or creating the vision of the school, I have seen her support the implementation of the

    vision through daily enforcing daily rules i.e. arriving to class on time and being prepared when you

    enter class. We have a zero-tolerance for bullying and fighting. Our school improvement goals are around

    English 10 and Algebra. In these areas, she has worked with the administration to the team to ensure we

    have veteran teachers who scored highly effective within the last two school years on their end-of-the-

    year performance evaluation.

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    5
    Resource Analysis and Monitoring Plan Part 1

    References

    Northouse, P. G. (2021). Introduction to Leadership: Concepts and Practice (5th ed.). N.p.:
    Sage.

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    6
    Resource Analysis and Monitoring Plan Part 1

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

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    **6thEdition.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/6thedition-pdf-10321733)

    **## GradingRubric.docx**

    **EDL 502**

    **Assignment 2 Part 1: Resource Analysis and Monitoring Plan**

    | | | | |
    | — | — | — | — |
    | **Standard** | **Level 1**<br>**Approaching Standard**<br>**0-31 points** | **Level 2**<br>**Meets Standard**<br>**32-35 points** | **Level 3**<br>**Exceeds Standard**<br>**36-40 points** |
    | Effective educational leaders manage school operations and resources to promote each student’s academic success and well-being.<br>PSEL 9 | Summary and analysis of the leadership style and skills of the interviewee as related to school operations and management is limited or weak. The summary provides evidence of two or less of the following: <br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. | Summary provides an analysis of the leadership style and skills of the interviewee as related to school operations and management. The summary provides evidence of at least three of the following: <br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. | Summary provides an in-depth analysis of the leadership style and skills of the interviewee as related to school operations and management. The summary provides evidence of the candidate’s:<br>9.1 knowledge of task v. relationship behaviors and the effect on school management.<br>9.2 knowledge of leadership skills and the effect on performance.<br>9.3 knowledge of leadership skills and the effect on school management. <br>9.4 capacity to collect and analyze information through observation and dialogue. |

    **## Instructions.docx**

    **Instructions**

    1. NELP 6.1, 6.2, PSEL 3h, 4e, 9b, 9c, 9d, 9f, 9g

    Field Experience Hours: 5

    **Overarching Question:** How does the management of school operations and resources promote the success and well-being of each student and adult in the school community?

    You will interview a member of the administrative team to collect information on and assess the efficacy of the operations and management of a specific school system procedure (i.e., building the master calendar or schedule, funding, employee relations, budget development, day-to-day operations, or resource allocations) and to analyze the leadership style and skills of the interviewee.  The assignment will be completed in two parts; one due in Module 3 and the other in Module 4.

    **Module 3:  Part 1**

    Conduct your interview and collect your data using the questions provided which have been developed using Professional Standards for Educational Leaders 2015 Standard 9: Operations and Management.  Based on the responses from your administrator and what you observe on a day-to-day basis, analyze their leadership style and skills.  You can use the “Observational Exercises” on pp. 97 – 98 and p. 123 to help organize your data and report your findings.  Provide a 3-4-page summary of your analysis with specific examples from both your interview and observations that support your conclusions. Cite resources as needed.  Cover page and reference list provided in addition to the 3–4-page summary.

    **Checklist for Part 1**

    1. Identify the school system procedure which will become the focus of your interview (i.e., building the master calendar or schedule, funding, budget development, employee relations, day-to-day operations, resource allocations, food service, transportation, etc.)

    2. Based on the system selected, determine which of your school administrators will be the most appropriate candidate for your interview and set up your interview appointment.  This will need to be completed as quickly as possible to allow time for your analysis and submission of Part 1 at the end of Module 3.

    3. Conduct the interview using the questions provided.  You may modify the interview questions as needed as long as you don’t jeopardize the intent of the interview.  Note, that where you see a blank line in the question, simply insert the name of the system or set of procedures that is the focus of your interview.

    4. Using the interview responses, and the Observational Exercises 4.4 and 5.4 (pp. 97-98, 123), complete your analysis of the interviewee’s leadership style and skills.

    5. Provide a 3 – 4-page summary of your analysis with specific examples from both your interview and observations that support your conclusions. Cite resources as needed.  Cover page and reference list provided in addition to the 3–4-page summary.

    **Interview Questions:**

    1. How do practices and procedures for ___________ promote the mission and vision of our school?  How do school improvement goals and initiatives factor into related decisions?

    2. What role do teachers play in related decisions? How is the process managed to optimize the professional capacity of teachers and staff?

    3. How is curriculum, instruction, and assessment factored into decisions made related to _______?

    4. How do related procedures support student learning, professional capacity and community, and family and community engagement?

    5. What ethical norms and accountability procedures influence choices, decisions, and implantation?

    6. How do you minimize or protect other management and operational systems from unexpected consequences or disruptions?

    7. To what extent does technology improve the quality and efficiency of _____________?

    8. Describe the data collection and communication system that monitors implementation and delivers information to your school community and informs school improvement.

    9. Are there local, state, or federal laws, rights, policies, or regulations to which you must comply?

    10. Describe the relationships with your feeder schools as it relates to ________.  How do these relationships enhance enrollment management and curricular and instructional articulation?

    11. What role does central office and/or the school board play in decisions related to this system?

    12. How are internal and external politics managed to minimize any negative influence on the school’s mission and vision?

    **## EXAMPLE.pdf**

    1
    Resource Analysis and Monitoring Plan Part 1

    Resource Analysis and Monitoring Plan Part 1

    Travis Chase

    Role of the Principal EDL 502

    Andrew Cockley

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    2
    Resource Analysis and Monitoring Plan Part 1

    Day to Day Operations

    The school system procedure I chose to focus on is the day-to-day operation of my

    school building. I chose this focus due to the unique aspect of my current school building. My

    current school is the second-largest school in the state of Maryland in terms of the student

    population. We have over 2700 students enrolled at my school for the 2021-22 school year.

    Additionally, due to the large auditorium and space, my building is the center of county activities

    such as bus driver and teacher job fairs, county media promotion, and political campaign

    rallies. Many of these events can happen during the school day and can add additional

    challenges to the normal day-to-day operation of twenty-seven hundred students and an

    additional one and fifty staff members. Due to the large student population, there are 9

    members on the current administrative team. There are eight assistant principals ( two per

    grade level) and then the school principal.

    Assistant Principal

    For the purpose of collecting data, I was able to interview one twelfth-grade assistant

    principal and one ninth-grade assistant principal. The twelfth-grade assistant principal is in her

    third year of being an administrator. She was previously a coordinator for a separate special

    education program for eight years where she performed several of the same administrative

    duties as she does now. As the assistant principal, she oversees the History department which

    is one of the smallest departments in the school. She has matriculated with the current seniors

    since their tenth-grade year. Through the pandemic, she has created a strong bond with the

    parents and students over the last three years. Additionally, this is her first time having a

    graduating class and performing many additional administrative duties that are required as the

    administrator over the senior class. Interpersonal Skills

    Interpersonal are people skills, those abilities that help administrators work effectively

    with staff, students, and parents to accomplish common goals. Over the last two years, I have

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    3
    Resource Analysis and Monitoring Plan Part 1

    observed this administrator be socially perceptive in understanding the various needs of

    parents, students, and staff during a global pandemic. Whether it’s reaching out to parents to

    check on the health and safety of students who had prolonged absences or themselves and or

    close family contract covid. She had demonstrated skill in handling conflict. Due to the teacher

    shortage, we have several vacancies, especially within the special education department.

    General education teachers are being tasked to teach co-taught classes without a special

    educator. The general educators are frustrated due to the lack of support. This administrator

    was able to facilitate a meeting between co-teachers and special education department chairs

    to develop a plan to provide some additional planning support to the co-teachers during their

    planning to support the general educator and special education students. This aligns with the

    school vision to “develop a culture of mutual respect and academic excellence.” Additionally, she

    piloted a program to add the position of parent engagement specialist. This is an effort to bridge the gap

    between what goes on here are school and what is going on in the community. We are finding that a lot

    of the incidents that we have here at school started in the community.

    Administrative Skills

    Administrative skills play an important role in effective leadership, they help leaders complete

    tasks based on their abilities to carry a school vision and or mission statement. An important component

    of administrative skills in managing people, showing technical skills, and managing resources. Resources

    are the key to any school building. Due to the pandemic water fountains are turned off in school

    buildings. The county provided each school with monthly bottled water supplies, however, due to the

    large size of the building we quickly exhaust our supply. I observed this administrator reaching out to

    local vendors for free donations, sending out an email blast to parents as well as presenting to the

    parent-teachers association (PTA) seeking supply donations for additional resources. I observed her

    collaborating with the planning team to discuss assessment data and how that data will drive the plan of

    instruction in the building. She met with the History department to develop a plan on how they were

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    4
    Resource Analysis and Monitoring Plan Part 1

    going to support the English department with cross-curricular learning tasks. Through collaborative

    planning, a literacy task was developed and completed through the English and history departments. The

    tasks were scored and data was collected and shared between both departments.

    Conceptual Skills

    Conceptual skills can be divided into three categories problem solving, strategic planning

    and creating vision. While I haven’t had a direct observation of this administrator strategically

    planning or creating the vision of the school, I have seen her support the implementation of the

    vision through daily enforcing daily rules i.e. arriving to class on time and being prepared when you

    enter class. We have a zero-tolerance for bullying and fighting. Our school improvement goals are around

    English 10 and Algebra. In these areas, she has worked with the administration to the team to ensure we

    have veteran teachers who scored highly effective within the last two school years on their end-of-the-

    year performance evaluation.

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    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    5
    Resource Analysis and Monitoring Plan Part 1

    References

    Northouse, P. G. (2021). Introduction to Leadership: Concepts and Practice (5th ed.). N.p.:
    Sage.

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

    https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/

    [https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/](https://www.coursehero.com/file/126632594/Resource-Analysis-and-Monitoring-Plan-Part-1docx/)

    6
    Resource Analysis and Monitoring Plan Part 1

    This study source was downloaded by 100000825965683 from CourseHero.com on 06-13-2025 21:23:38 GMT -05:00

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    **6thEdition.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/6thedition-pdf-10321733)

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    I need help with my homework. – ## RequriedReferencestouseforweek4assignments.docx – ## Instructionforweek4assignmentandRubric.docx **## RequriedReferencestouseforweek4assignments.docx** RTI: Progress Monitoring **Required** Read “RTI: Progress Monitoring,” by Skow and Brown, located on the IRIS Cen…

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    Assignment Prompt & Instructions

    I need help with my homework.

    – ## RequriedReferencestouseforweek4assignments.docx

    – ## Instructionforweek4assignmentandRubric.docx

    **## RequriedReferencestouseforweek4assignments.docx**

    RTI: Progress Monitoring

    **Required**

    Read “RTI: Progress Monitoring,” by Skow and Brown, located on the IRIS Center website, to inform the topic assignment.

    https://iris.peabody.vand

    Page 2: Progress Monitoring

    **Required**

    Read “Page 2: Progress Monitoring,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/module/pmr/cresource/q1/p02/#content

    Progress Monitoring

    **Required**

    Read “Progress Monitoring,” located on the National Center on Intensive Intervention.

    [Progress Monitoring: Data & Goal Setting | NCII](https://intensiveintervention.org/data-based-individualization/progress-monitoring)

    Running Records Revisited: A Tool for Efficiency and Focus

    **Required**

    Read “Running Records Revisited: A Tool for Efficiency and Focus,” by Barone et al., from
    _Reading Teacher_ (2020).

    … Read More

    https://lopes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=trh&AN=140917311&site=ehost-live&scope=site&custid=s8333196&groupid=main&profile=ehost

    Progress Monitoring: Mastery Measurement vs. General Outcome Measurement

    **Required**

    Read “Progress Monitoring: Mastery Measurement vs. General Outcome Measurement,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/wp-content/uploads/modules/pmr/pdf/IRIS_PM_InfoBrief_011420.pdf#content

    Page 8: Initiating and Discontinuing Intervention

    **Required**

    Read “Page 8: Initiating and Discontinuing Intervention,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/module/rti04/cresource/q3/p08/

    Page 10: Communicating with Students, School Personnel, and Parents

    **Required**

    Read “Page 10: Communicating with Students, School Personnel, and Parents,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/mo

    **Literacy Assessment and Intervention for Classroom Teachers**

    **Required**

    DeVries, B. A. (2023).
    _Literacy Assessment and Intervention for Classroom Teachers_ (6th ed.). Routledge. ISBN-13: 9781032131283

    **## Instructionforweek4assignmentandRubric.docx**

    Requires Lopeswrite

    Assessment Description

    The foundation of a successful RTI model is to monitor both student learning and instructional practices and use information gathered to make data-driven decisions. Teachers should utilize practical classroom assessments to monitor student progress across all tiers of instruction, especially during intervention and remediation. Formative assessments are frequently used to evaluate student learning to make intentional instructional decisions about intervention and remediation. Essential factors to consider include reliable and valid progress monitoring measures that align with student learning goals, consistent and ethical administration of assessments, scoring and graphing of data, analyzing data to inform data-driven instructional decisions, and respectfully communicating progress to all stakeholders.

    **Part 1: Analyzing Student Data**

    Utilizing Savannah’s, Grayson’s, and Alejandro’s case studies from “RTI: Progress Monitoring,” imagine you are meeting with the RTI team to discuss the next steps for these students.

    Choose the following deliverables to complete this assignment:

    · 400–500-word script, including documentation of resources

    Using the delivery of your choice, present your data analysis and recommend next steps for each student to the RTI team. Include the following information about each student:

    · An initial summary and analysis of each student’s progress monitoring data.

    · Recommendations for instructional next steps (e.g., continue with intervention/remediation, add additional intervention/remediation, or discontinue the current intervention/remediation), including an explanation of how the data supports each student’s instructional recommendation.

    · If recommending that intervention be added or continued, identify one individual goal based on the assessment data and describe steps to progress monitor the personal goal.

    **Part 2: Student and Family Communication**

    Write a 250-500-word summary on how you will partner with students and families to make data-driven instructional decisions. In your summary, explain the following information:

    · How you use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning.

    · Provide an example of a system/strategy to use with students to track their learning and goal progress, and discuss how it can also be used to inform your future instructional planning based on identified learning gaps and patterns.

    · At least two ways to communicate data and student progress to families.

    · How you communicate data to students and families, showing respect and dignity while still conveying the urgent need for an intervention plan.

    Support your delivery with a minimum of two scholarly resources.

    Submit your delivery, including a link to the deliverable, a summary, and relevant resources, as a single document.

    While APA Style is not required for the body of this assignment, solid academic writing is expected, and documentation of sources should be presented using APA formatting guidelines, which can be found in the APA Style Guide, located in the Student Success Center.

    This assignment uses rubric. Review the rubric before beginning the assignment to familiarize yourself with the expectations for successful completion.

    You are required to submit this assignment to LopesWrite. A link to the LopesWrite technical support articles is in Class Resources if you need assistance.

    **Rubric Criteria**

    expand all Rubric CriteriaExpand All

    **Summary and Analysis of Student Data**

    7.5 points

    **Criteria Description**

    Summary and Analysis of Student Data

    **5. Target**

    7.5 points

    Summary and analysis of each student’s progress monitoring data are thorough.

    **4. Acceptable**

    6.53 points

    Summary and analysis of each student’s progress monitoring data are complete.

    **3. Approaching**

    5.55 points

    Summary and analysis of each student’s progress monitoring data are missing key details.

    **No Submission**

    0 points

    Not addressed.

    **Instructional Recommendations**

    15 points

    **Criteria Description**

    Instructional Recommendations

    **5. Target**

    15 points

    Recommendations for instructional next steps for the students are ideal and substantially supported by student data.

    **4. Acceptable**

    13.05 points

    Recommendations for instructional next steps for the students are suitable and adequately supported by student data.

    **3. Approaching**

    11.1 points

    Recommendations for instructional next steps for the students are somewhat inaccurate and minimally supported by student data.

    **No Submission**

    0 points

    Not addressed.

    **Individual Learner Goals and Progress Monitoring**

    15 points

    **Criteria Description**

    Individual Learner Goals and Progress Monitoring

    **5. Target**

    15 points

    Individual learning goals for students needing to continue or begin intervention are meaningful. Steps to progress monitor the goal are realistic.

    **4. Acceptable**

    13.05 points

    Individual learning goals for students needing to continue or begin intervention are appropriate. Steps to progress monitor the goal are reasonable.

    **3. Approaching**

    11.1 points

    Individual learning goals for students needing to continue or begin intervention are shallow. Steps to progress monitor the goal are overly simplistic.

    **No Submission**

    0 points

    Not addressed.

    **Student Data Discussions and Goal Setting**

    11.25 points

    **Criteria Description**

    Student Data Discussions and Goal Setting

    **5. Target**

    11.25 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is insightful. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is meaningful.

    **4. Acceptable**

    9.79 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is significant. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is credible.

    **3. Approaching**

    8.33 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is artificial. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is inexplicit.

    **No Submission**

    0 points

    Not addressed.

    **Family Communication of Student Data**

    11.25 points

    **Criteria Description**

    Family Communication of Student Data

    **5. Target**

    11.25 points

    Ways to communicate with families about student data and progress are innovative. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is thought-provoking.

    **4. Acceptable**

    9.79 points

    Ways to communicate with families about student data and progress are noteworthy. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is concise.

    **3. Approaching**

    8.33 points

    Ways to communicate with families about student data and progress are weak. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is vague.

    **No Submission**

    0 points

    Not addressed.

    **Organization**

    7.5 points

    **Criteria Description**

    Organization

    **5. Target**

    7.5 points

    The content is well-organized and logical. There is a sequential progression of ideas that relate to each other. The content is presented as a cohesive unit and provides the audience with a clear sense of the main idea.

    **4. Acceptable**

    6.53 points

    The content is logically organized. The ideas presented relate to each other. The content provides the audience with a clear sense of the main idea.

    **3. Approaching**

    5.55 points

    The content is not well organized even though it provides the audience with a sense of the main idea.

    **No Submission**

    0 points

    Not addressed.

    **Supporting Research and Documentation of Sources**

    3.75 points

    **Criteria Description**

    Uses appropriate designated style and formatting to document sources in citations and references.

    **5. Target**

    3.75 points

    Supporting research is compelling and thorough. Sources are completely and correctly documented, as appropriate to assignment and style, and format is free of error.

    **4. Acceptable**

    3.26 points

    Supporting research is credible and relevant. Sources are documented, as appropriate to assignment and style, and format is mostly correct.

    **3. Approaching**

    2.78 points

    Supporting research is minimal and somewhat inaccurate. Sources are documented, as appropriate to assignment and style, although several minor formatting errors are present.

    **No Submission**

    0 points

    Not addressed.

    **Mechanics of Writing**

    3.75 points

    **Criteria Description**

    Includes spelling, capitalization, punctuation, grammar, language use, sentence structure, etc.

    **5. Target**

    3.75 points

    No mechanical errors are present. Skilled control of language choice and sentence structure is used throughout.

    **4. Acceptable**

    3.26 points

    A few mechanical errors are present. Suitable language choice and sentence structure are used.

    **3. Approaching**

    2.78 points

    Frequent and repetitive mechanical errors are present. Inconsistencies in language choice or sentence structure are recurrent.

    **## Instructionforweek4assignmentandRubric.docx**

    Requires Lopeswrite

    Assessment Description

    The foundation of a successful RTI model is to monitor both student learning and instructional practices and use information gathered to make data-driven decisions. Teachers should utilize practical classroom assessments to monitor student progress across all tiers of instruction, especially during intervention and remediation. Formative assessments are frequently used to evaluate student learning to make intentional instructional decisions about intervention and remediation. Essential factors to consider include reliable and valid progress monitoring measures that align with student learning goals, consistent and ethical administration of assessments, scoring and graphing of data, analyzing data to inform data-driven instructional decisions, and respectfully communicating progress to all stakeholders.

    **Part 1: Analyzing Student Data**

    Utilizing Savannah’s, Grayson’s, and Alejandro’s case studies from “RTI: Progress Monitoring,” imagine you are meeting with the RTI team to discuss the next steps for these students.

    Choose the following deliverables to complete this assignment:

    · 400–500-word script, including documentation of resources

    Using the delivery of your choice, present your data analysis and recommend next steps for each student to the RTI team. Include the following information about each student:

    · An initial summary and analysis of each student’s progress monitoring data.

    · Recommendations for instructional next steps (e.g., continue with intervention/remediation, add additional intervention/remediation, or discontinue the current intervention/remediation), including an explanation of how the data supports each student’s instructional recommendation.

    · If recommending that intervention be added or continued, identify one individual goal based on the assessment data and describe steps to progress monitor the personal goal.

    **Part 2: Student and Family Communication**

    Write a 250-500-word summary on how you will partner with students and families to make data-driven instructional decisions. In your summary, explain the following information:

    · How you use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning.

    · Provide an example of a system/strategy to use with students to track their learning and goal progress, and discuss how it can also be used to inform your future instructional planning based on identified learning gaps and patterns.

    · At least two ways to communicate data and student progress to families.

    · How you communicate data to students and families, showing respect and dignity while still conveying the urgent need for an intervention plan.

    Support your delivery with a minimum of two scholarly resources.

    Submit your delivery, including a link to the deliverable, a summary, and relevant resources, as a single document.

    While APA Style is not required for the body of this assignment, solid academic writing is expected, and documentation of sources should be presented using APA formatting guidelines, which can be found in the APA Style Guide, located in the Student Success Center.

    This assignment uses rubric. Review the rubric before beginning the assignment to familiarize yourself with the expectations for successful completion.

    You are required to submit this assignment to LopesWrite. A link to the LopesWrite technical support articles is in Class Resources if you need assistance.

    **Rubric Criteria**

    expand all Rubric CriteriaExpand All

    **Summary and Analysis of Student Data**

    7.5 points

    **Criteria Description**

    Summary and Analysis of Student Data

    **5. Target**

    7.5 points

    Summary and analysis of each student’s progress monitoring data are thorough.

    **4. Acceptable**

    6.53 points

    Summary and analysis of each student’s progress monitoring data are complete.

    **3. Approaching**

    5.55 points

    Summary and analysis of each student’s progress monitoring data are missing key details.

    **No Submission**

    0 points

    Not addressed.

    **Instructional Recommendations**

    15 points

    **Criteria Description**

    Instructional Recommendations

    **5. Target**

    15 points

    Recommendations for instructional next steps for the students are ideal and substantially supported by student data.

    **4. Acceptable**

    13.05 points

    Recommendations for instructional next steps for the students are suitable and adequately supported by student data.

    **3. Approaching**

    11.1 points

    Recommendations for instructional next steps for the students are somewhat inaccurate and minimally supported by student data.

    **No Submission**

    0 points

    Not addressed.

    **Individual Learner Goals and Progress Monitoring**

    15 points

    **Criteria Description**

    Individual Learner Goals and Progress Monitoring

    **5. Target**

    15 points

    Individual learning goals for students needing to continue or begin intervention are meaningful. Steps to progress monitor the goal are realistic.

    **4. Acceptable**

    13.05 points

    Individual learning goals for students needing to continue or begin intervention are appropriate. Steps to progress monitor the goal are reasonable.

    **3. Approaching**

    11.1 points

    Individual learning goals for students needing to continue or begin intervention are shallow. Steps to progress monitor the goal are overly simplistic.

    **No Submission**

    0 points

    Not addressed.

    **Student Data Discussions and Goal Setting**

    11.25 points

    **Criteria Description**

    Student Data Discussions and Goal Setting

    **5. Target**

    11.25 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is insightful. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is meaningful.

    **4. Acceptable**

    9.79 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is significant. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is credible.

    **3. Approaching**

    8.33 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is artificial. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is inexplicit.

    **No Submission**

    0 points

    Not addressed.

    **Family Communication of Student Data**

    11.25 points

    **Criteria Description**

    Family Communication of Student Data

    **5. Target**

    11.25 points

    Ways to communicate with families about student data and progress are innovative. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is thought-provoking.

    **4. Acceptable**

    9.79 points

    Ways to communicate with families about student data and progress are noteworthy. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is concise.

    **3. Approaching**

    8.33 points

    Ways to communicate with families about student data and progress are weak. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is vague.

    **No Submission**

    0 points

    Not addressed.

    **Organization**

    7.5 points

    **Criteria Description**

    Organization

    **5. Target**

    7.5 points

    The content is well-organized and logical. There is a sequential progression of ideas that relate to each other. The content is presented as a cohesive unit and provides the audience with a clear sense of the main idea.

    **4. Acceptable**

    6.53 points

    The content is logically organized. The ideas presented relate to each other. The content provides the audience with a clear sense of the main idea.

    **3. Approaching**

    5.55 points

    The content is not well organized even though it provides the audience with a sense of the main idea.

    **No Submission**

    0 points

    Not addressed.

    **Supporting Research and Documentation of Sources**

    3.75 points

    **Criteria Description**

    Uses appropriate designated style and formatting to document sources in citations and references.

    **5. Target**

    3.75 points

    Supporting research is compelling and thorough. Sources are completely and correctly documented, as appropriate to assignment and style, and format is free of error.

    **4. Acceptable**

    3.26 points

    Supporting research is credible and relevant. Sources are documented, as appropriate to assignment and style, and format is mostly correct.

    **3. Approaching**

    2.78 points

    Supporting research is minimal and somewhat inaccurate. Sources are documented, as appropriate to assignment and style, although several minor formatting errors are present.

    **No Submission**

    0 points

    Not addressed.

    **Mechanics of Writing**

    3.75 points

    **Criteria Description**

    Includes spelling, capitalization, punctuation, grammar, language use, sentence structure, etc.

    **5. Target**

    3.75 points

    No mechanical errors are present. Skilled control of language choice and sentence structure is used throughout.

    **4. Acceptable**

    3.26 points

    A few mechanical errors are present. Suitable language choice and sentence structure are used.

    **3. Approaching**

    2.78 points

    Frequent and repetitive mechanical errors are present. Inconsistencies in language choice or sentence structure are recurrent.

    **## RequriedReferencestouseforweek4assignments.docx**

    RTI: Progress Monitoring

    **Required**

    Read “RTI: Progress Monitoring,” by Skow and Brown, located on the IRIS Center website, to inform the topic assignment.

    https://iris.peabody.vand

    Page 2: Progress Monitoring

    **Required**

    Read “Page 2: Progress Monitoring,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/module/pmr/cresource/q1/p02/#content

    Progress Monitoring

    **Required**

    Read “Progress Monitoring,” located on the National Center on Intensive Intervention.

    [Progress Monitoring: Data & Goal Setting | NCII](https://intensiveintervention.org/data-based-individualization/progress-monitoring)

    Running Records Revisited: A Tool for Efficiency and Focus

    **Required**

    Read “Running Records Revisited: A Tool for Efficiency and Focus,” by Barone et al., from
    _Reading Teacher_ (2020).

    … Read More

    https://lopes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=trh&AN=140917311&site=ehost-live&scope=site&custid=s8333196&groupid=main&profile=ehost

    Progress Monitoring: Mastery Measurement vs. General Outcome Measurement

    **Required**

    Read “Progress Monitoring: Mastery Measurement vs. General Outcome Measurement,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/wp-content/uploads/modules/pmr/pdf/IRIS_PM_InfoBrief_011420.pdf#content

    Page 8: Initiating and Discontinuing Intervention

    **Required**

    Read “Page 8: Initiating and Discontinuing Intervention,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/module/rti04/cresource/q3/p08/

    Page 10: Communicating with Students, School Personnel, and Parents

    **Required**

    Read “Page 10: Communicating with Students, School Personnel, and Parents,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/mo

    **Literacy Assessment and Intervention for Classroom Teachers**

    **Required**

    DeVries, B. A. (2023).
    _Literacy Assessment and Intervention for Classroom Teachers_ (6th ed.). Routledge. ISBN-13: 9781032131283

    **## Instructionforweek4assignmentandRubric.docx**

    Requires Lopeswrite

    Assessment Description

    The foundation of a successful RTI model is to monitor both student learning and instructional practices and use information gathered to make data-driven decisions. Teachers should utilize practical classroom assessments to monitor student progress across all tiers of instruction, especially during intervention and remediation. Formative assessments are frequently used to evaluate student learning to make intentional instructional decisions about intervention and remediation. Essential factors to consider include reliable and valid progress monitoring measures that align with student learning goals, consistent and ethical administration of assessments, scoring and graphing of data, analyzing data to inform data-driven instructional decisions, and respectfully communicating progress to all stakeholders.

    **Part 1: Analyzing Student Data**

    Utilizing Savannah’s, Grayson’s, and Alejandro’s case studies from “RTI: Progress Monitoring,” imagine you are meeting with the RTI team to discuss the next steps for these students.

    Choose the following deliverables to complete this assignment:

    · 400–500-word script, including documentation of resources

    Using the delivery of your choice, present your data analysis and recommend next steps for each student to the RTI team. Include the following information about each student:

    · An initial summary and analysis of each student’s progress monitoring data.

    · Recommendations for instructional next steps (e.g., continue with intervention/remediation, add additional intervention/remediation, or discontinue the current intervention/remediation), including an explanation of how the data supports each student’s instructional recommendation.

    · If recommending that intervention be added or continued, identify one individual goal based on the assessment data and describe steps to progress monitor the personal goal.

    **Part 2: Student and Family Communication**

    Write a 250-500-word summary on how you will partner with students and families to make data-driven instructional decisions. In your summary, explain the following information:

    · How you use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning.

    · Provide an example of a system/strategy to use with students to track their learning and goal progress, and discuss how it can also be used to inform your future instructional planning based on identified learning gaps and patterns.

    · At least two ways to communicate data and student progress to families.

    · How you communicate data to students and families, showing respect and dignity while still conveying the urgent need for an intervention plan.

    Support your delivery with a minimum of two scholarly resources.

    Submit your delivery, including a link to the deliverable, a summary, and relevant resources, as a single document.

    While APA Style is not required for the body of this assignment, solid academic writing is expected, and documentation of sources should be presented using APA formatting guidelines, which can be found in the APA Style Guide, located in the Student Success Center.

    This assignment uses rubric. Review the rubric before beginning the assignment to familiarize yourself with the expectations for successful completion.

    You are required to submit this assignment to LopesWrite. A link to the LopesWrite technical support articles is in Class Resources if you need assistance.

    **Rubric Criteria**

    expand all Rubric CriteriaExpand All

    **Summary and Analysis of Student Data**

    7.5 points

    **Criteria Description**

    Summary and Analysis of Student Data

    **5. Target**

    7.5 points

    Summary and analysis of each student’s progress monitoring data are thorough.

    **4. Acceptable**

    6.53 points

    Summary and analysis of each student’s progress monitoring data are complete.

    **3. Approaching**

    5.55 points

    Summary and analysis of each student’s progress monitoring data are missing key details.

    **No Submission**

    0 points

    Not addressed.

    **Instructional Recommendations**

    15 points

    **Criteria Description**

    Instructional Recommendations

    **5. Target**

    15 points

    Recommendations for instructional next steps for the students are ideal and substantially supported by student data.

    **4. Acceptable**

    13.05 points

    Recommendations for instructional next steps for the students are suitable and adequately supported by student data.

    **3. Approaching**

    11.1 points

    Recommendations for instructional next steps for the students are somewhat inaccurate and minimally supported by student data.

    **No Submission**

    0 points

    Not addressed.

    **Individual Learner Goals and Progress Monitoring**

    15 points

    **Criteria Description**

    Individual Learner Goals and Progress Monitoring

    **5. Target**

    15 points

    Individual learning goals for students needing to continue or begin intervention are meaningful. Steps to progress monitor the goal are realistic.

    **4. Acceptable**

    13.05 points

    Individual learning goals for students needing to continue or begin intervention are appropriate. Steps to progress monitor the goal are reasonable.

    **3. Approaching**

    11.1 points

    Individual learning goals for students needing to continue or begin intervention are shallow. Steps to progress monitor the goal are overly simplistic.

    **No Submission**

    0 points

    Not addressed.

    **Student Data Discussions and Goal Setting**

    11.25 points

    **Criteria Description**

    Student Data Discussions and Goal Setting

    **5. Target**

    11.25 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is insightful. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is meaningful.

    **4. Acceptable**

    9.79 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is significant. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is credible.

    **3. Approaching**

    8.33 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is artificial. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is inexplicit.

    **No Submission**

    0 points

    Not addressed.

    **Family Communication of Student Data**

    11.25 points

    **Criteria Description**

    Family Communication of Student Data

    **5. Target**

    11.25 points

    Ways to communicate with families about student data and progress are innovative. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is thought-provoking.

    **4. Acceptable**

    9.79 points

    Ways to communicate with families about student data and progress are noteworthy. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is concise.

    **3. Approaching**

    8.33 points

    Ways to communicate with families about student data and progress are weak. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is vague.

    **No Submission**

    0 points

    Not addressed.

    **Organization**

    7.5 points

    **Criteria Description**

    Organization

    **5. Target**

    7.5 points

    The content is well-organized and logical. There is a sequential progression of ideas that relate to each other. The content is presented as a cohesive unit and provides the audience with a clear sense of the main idea.

    **4. Acceptable**

    6.53 points

    The content is logically organized. The ideas presented relate to each other. The content provides the audience with a clear sense of the main idea.

    **3. Approaching**

    5.55 points

    The content is not well organized even though it provides the audience with a sense of the main idea.

    **No Submission**

    0 points

    Not addressed.

    **Supporting Research and Documentation of Sources**

    3.75 points

    **Criteria Description**

    Uses appropriate designated style and formatting to document sources in citations and references.

    **5. Target**

    3.75 points

    Supporting research is compelling and thorough. Sources are completely and correctly documented, as appropriate to assignment and style, and format is free of error.

    **4. Acceptable**

    3.26 points

    Supporting research is credible and relevant. Sources are documented, as appropriate to assignment and style, and format is mostly correct.

    **3. Approaching**

    2.78 points

    Supporting research is minimal and somewhat inaccurate. Sources are documented, as appropriate to assignment and style, although several minor formatting errors are present.

    **No Submission**

    0 points

    Not addressed.

    **Mechanics of Writing**

    3.75 points

    **Criteria Description**

    Includes spelling, capitalization, punctuation, grammar, language use, sentence structure, etc.

    **5. Target**

    3.75 points

    No mechanical errors are present. Skilled control of language choice and sentence structure is used throughout.

    **4. Acceptable**

    3.26 points

    A few mechanical errors are present. Suitable language choice and sentence structure are used.

    **3. Approaching**

    2.78 points

    Frequent and repetitive mechanical errors are present. Inconsistencies in language choice or sentence structure are recurrent.

    **## RequriedReferencestouseforweek4assignments.docx**

    RTI: Progress Monitoring

    **Required**

    Read “RTI: Progress Monitoring,” by Skow and Brown, located on the IRIS Center website, to inform the topic assignment.

    https://iris.peabody.vand

    Page 2: Progress Monitoring

    **Required**

    Read “Page 2: Progress Monitoring,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/module/pmr/cresource/q1/p02/#content

    Progress Monitoring

    **Required**

    Read “Progress Monitoring,” located on the National Center on Intensive Intervention.

    [Progress Monitoring: Data & Goal Setting | NCII](https://intensiveintervention.org/data-based-individualization/progress-monitoring)

    Running Records Revisited: A Tool for Efficiency and Focus

    **Required**

    Read “Running Records Revisited: A Tool for Efficiency and Focus,” by Barone et al., from
    _Reading Teacher_ (2020).

    … Read More

    https://lopes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=trh&AN=140917311&site=ehost-live&scope=site&custid=s8333196&groupid=main&profile=ehost

    Progress Monitoring: Mastery Measurement vs. General Outcome Measurement

    **Required**

    Read “Progress Monitoring: Mastery Measurement vs. General Outcome Measurement,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/wp-content/uploads/modules/pmr/pdf/IRIS_PM_InfoBrief_011420.pdf#content

    Page 8: Initiating and Discontinuing Intervention

    **Required**

    Read “Page 8: Initiating and Discontinuing Intervention,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/module/rti04/cresource/q3/p08/

    Page 10: Communicating with Students, School Personnel, and Parents

    **Required**

    Read “Page 10: Communicating with Students, School Personnel, and Parents,” located on the IRIS Center website.

    https://iris.peabody.vanderbilt.edu/mo

    **Literacy Assessment and Intervention for Classroom Teachers**

    **Required**

    DeVries, B. A. (2023).
    _Literacy Assessment and Intervention for Classroom Teachers_ (6th ed.). Routledge. ISBN-13: 9781032131283

    **## Instructionforweek4assignmentandRubric.docx**

    Requires Lopeswrite

    Assessment Description

    The foundation of a successful RTI model is to monitor both student learning and instructional practices and use information gathered to make data-driven decisions. Teachers should utilize practical classroom assessments to monitor student progress across all tiers of instruction, especially during intervention and remediation. Formative assessments are frequently used to evaluate student learning to make intentional instructional decisions about intervention and remediation. Essential factors to consider include reliable and valid progress monitoring measures that align with student learning goals, consistent and ethical administration of assessments, scoring and graphing of data, analyzing data to inform data-driven instructional decisions, and respectfully communicating progress to all stakeholders.

    **Part 1: Analyzing Student Data**

    Utilizing Savannah’s, Grayson’s, and Alejandro’s case studies from “RTI: Progress Monitoring,” imagine you are meeting with the RTI team to discuss the next steps for these students.

    Choose the following deliverables to complete this assignment:

    · 400–500-word script, including documentation of resources

    Using the delivery of your choice, present your data analysis and recommend next steps for each student to the RTI team. Include the following information about each student:

    · An initial summary and analysis of each student’s progress monitoring data.

    · Recommendations for instructional next steps (e.g., continue with intervention/remediation, add additional intervention/remediation, or discontinue the current intervention/remediation), including an explanation of how the data supports each student’s instructional recommendation.

    · If recommending that intervention be added or continued, identify one individual goal based on the assessment data and describe steps to progress monitor the personal goal.

    **Part 2: Student and Family Communication**

    Write a 250-500-word summary on how you will partner with students and families to make data-driven instructional decisions. In your summary, explain the following information:

    · How you use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning.

    · Provide an example of a system/strategy to use with students to track their learning and goal progress, and discuss how it can also be used to inform your future instructional planning based on identified learning gaps and patterns.

    · At least two ways to communicate data and student progress to families.

    · How you communicate data to students and families, showing respect and dignity while still conveying the urgent need for an intervention plan.

    Support your delivery with a minimum of two scholarly resources.

    Submit your delivery, including a link to the deliverable, a summary, and relevant resources, as a single document.

    While APA Style is not required for the body of this assignment, solid academic writing is expected, and documentation of sources should be presented using APA formatting guidelines, which can be found in the APA Style Guide, located in the Student Success Center.

    This assignment uses rubric. Review the rubric before beginning the assignment to familiarize yourself with the expectations for successful completion.

    You are required to submit this assignment to LopesWrite. A link to the LopesWrite technical support articles is in Class Resources if you need assistance.

    **Rubric Criteria**

    expand all Rubric CriteriaExpand All

    **Summary and Analysis of Student Data**

    7.5 points

    **Criteria Description**

    Summary and Analysis of Student Data

    **5. Target**

    7.5 points

    Summary and analysis of each student’s progress monitoring data are thorough.

    **4. Acceptable**

    6.53 points

    Summary and analysis of each student’s progress monitoring data are complete.

    **3. Approaching**

    5.55 points

    Summary and analysis of each student’s progress monitoring data are missing key details.

    **No Submission**

    0 points

    Not addressed.

    **Instructional Recommendations**

    15 points

    **Criteria Description**

    Instructional Recommendations

    **5. Target**

    15 points

    Recommendations for instructional next steps for the students are ideal and substantially supported by student data.

    **4. Acceptable**

    13.05 points

    Recommendations for instructional next steps for the students are suitable and adequately supported by student data.

    **3. Approaching**

    11.1 points

    Recommendations for instructional next steps for the students are somewhat inaccurate and minimally supported by student data.

    **No Submission**

    0 points

    Not addressed.

    **Individual Learner Goals and Progress Monitoring**

    15 points

    **Criteria Description**

    Individual Learner Goals and Progress Monitoring

    **5. Target**

    15 points

    Individual learning goals for students needing to continue or begin intervention are meaningful. Steps to progress monitor the goal are realistic.

    **4. Acceptable**

    13.05 points

    Individual learning goals for students needing to continue or begin intervention are appropriate. Steps to progress monitor the goal are reasonable.

    **3. Approaching**

    11.1 points

    Individual learning goals for students needing to continue or begin intervention are shallow. Steps to progress monitor the goal are overly simplistic.

    **No Submission**

    0 points

    Not addressed.

    **Student Data Discussions and Goal Setting**

    11.25 points

    **Criteria Description**

    Student Data Discussions and Goal Setting

    **5. Target**

    11.25 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is insightful. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is meaningful.

    **4. Acceptable**

    9.79 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is significant. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is credible.

    **3. Approaching**

    8.33 points

    Discussion of how an educator can use data to guide and engage students in self-analysis, literacy goal setting, and reflecting on learning is artificial. The system/strategy an educator can use with a student to track their learning and progress towards individual goals, including discussion of how the system/strategy can be used to inform future instruction based on identified learning gaps and patterns, is inexplicit.

    **No Submission**

    0 points

    Not addressed.

    **Family Communication of Student Data**

    11.25 points

    **Criteria Description**

    Family Communication of Student Data

    **5. Target**

    11.25 points

    Ways to communicate with families about student data and progress are innovative. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is thought-provoking.

    **4. Acceptable**

    9.79 points

    Ways to communicate with families about student data and progress are noteworthy. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is concise.

    **3. Approaching**

    8.33 points

    Ways to communicate with families about student data and progress are weak. Discussion of how an educator can communicate data to students and families showing respect and dignity while still conveying urgency is vague.

    **No Submission**

    0 points

    Not addressed.

    **Organization**

    7.5 points

    **Criteria Description**

    Organization

    **5. Target**

    7.5 points

    The content is well-organized and logical. There is a sequential progression of ideas that relate to each other. The content is presented as a cohesive unit and provides the audience with a clear sense of the main idea.

    **4. Acceptable**

    6.53 points

    The content is logically organized. The ideas presented relate to each other. The content provides the audience with a clear sense of the main idea.

    **3. Approaching**

    5.55 points

    The content is not well organized even though it provides the audience with a sense of the main idea.

    **No Submission**

    0 points

    Not addressed.

    **Supporting Research and Documentation of Sources**

    3.75 points

    **Criteria Description**

    Uses appropriate designated style and formatting to document sources in citations and references.

    **5. Target**

    3.75 points

    Supporting research is compelling and thorough. Sources are completely and correctly documented, as appropriate to assignment and style, and format is free of error.

    **4. Acceptable**

    3.26 points

    Supporting research is credible and relevant. Sources are documented, as appropriate to assignment and style, and format is mostly correct.

    **3. Approaching**

    2.78 points

    Supporting research is minimal and somewhat inaccurate. Sources are documented, as appropriate to assignment and style, although several minor formatting errors are present.

    **No Submission**

    0 points

    Not addressed.

    **Mechanics of Writing**

    3.75 points

    **Criteria Description**

    Includes spelling, capitalization, punctuation, grammar, language use, sentence structure, etc.

    **5. Target**

    3.75 points

    No mechanical errors are present. Skilled control of language choice and sentence structure is used throughout.

    **4. Acceptable**

    3.26 points

    A few mechanical errors are present. Suitable language choice and sentence structure are used.

    **3. Approaching**

    2.78 points

    Frequent and repetitive mechanical errors are present. Inconsistencies in language choice or sentence structure are recurrent.

    – 1
    – 2

  • [Solved] help w assgn due in 16 hours

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    Executive Solution Overview

    attached – ## BlackArtsResponse.docx – ## AnIntroductiontotheBlackArtsMovement20-1.pdf **## BlackArtsResponse.docx** Black Arts Response Humanities Black Art Response – Scholars.. for this assignment …. you are going to look for art or even monuments on campus…at a museum.. paintings, art around t…

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    Assignment Prompt & Instructions

    attached

    – ## BlackArtsResponse.docx

    – ## AnIntroductiontotheBlackArtsMovement20-1.pdf

    **## BlackArtsResponse.docx**

    Black Arts Response

    Humanities   Black Art Response –

    Scholars.. for this assignment …. you are going to look for art or even monuments on campus…at a museum.. paintings, art around town, at a church..  , etc
    Locate artwork that you believe reflects the Black Experience.. (paintings, sculptures, statues,  photograph by the artist… for example..Gordan Parks was a famous photographer and his work is considered art..etc)
    OPTION B – If  you are unable to  physically go out on campus or in the community to seek out art… you may google….Black Art and still follow the instructions below.

    INSTRUCTIONS
    Do this assignment in a power point or keynote.. using seven or eight slides..  OR.. you do a video of YOURSELF, responding to the question below and actually showing the art that you selected.. . click Start Assignment to post

    Slide 1 – Title page
    Black Art Response…  (your  name  HUMA course number and section)
    Slide 2=Take a picture of a piece of art that speaks to you and post it in this slide  (YES you can use more than one art piece if you like)
    Slide 3 -Name of Artist and background info (if known)
    Slide 4 Where this art is located?  (on campus… downtown in which city… at a museum…if so which museum..  )
    Slide 5 Description of art and what it represents to you
    Slide 6  In what way do YOU believe this art is connected with , or influences the Black Experience and society as a whole?
    Slide 7 – Explain how it connects with any of the black movements we have studied in this course (based on readings and videos).. PLEASE ELABORATE

    Week 4- Black Arts/Black Power Movement

    [An Introduction to the Black Arts Movement 20-1.pdf](https://wileyc.instructure.com/courses/9362/files/811262?wrap=1) [Download An Introduction to the Black Arts Movement 20-1.pdf](https://wileyc.instructure.com/courses/9362/files/811262/download?download_frd=1)

    Article , please read

    [https://youtu.be/0IhzbA6lHTQ?feature=sharedLinks to an external site.](https://youtu.be/0IhzbA6lHTQ?feature=shared)![A black and grey play button AI-generated content may be incorrect.](https://www.sweetstudy.com/questions/help-w-assgn-due-in-16-hours)

    Black Panther Party for Self Defense

    Scholars, please read the article and  watch this video and respond to questions by clicking START ASSIGNMENT. IN YOUR OWN WORDS… respond to the questions..  Please write in COMPLETE SENTENCES.

    What was the Black Arts Movement and Who were 3 of the artist, what was their art form,  from that era..

    What are three significant things you learned from the article…and three significant things you learned from viewing this film?

    What are some of the demands involved in the Black Panther Party?

    What are some of the surprising details you learned from this film?

    Describe the programs developed by the Black Panther Party and how they benefited Black people

    What part did art, music, poetry, etc, play during the height of the Black Panther Party?

    ## image1.png

    **## AnIntroductiontotheBlackArtsMovement20-1.pdf**

    An Introduction to the Black Arts Movement
    B Y N A S R U L L A H M A M B R O L ON J U L Y 9 , 2 0 2 0 • ( 0 )

    The Black Arts movement was a controversial literary faction that

    emerged in the mid-1960s as the artistic and aesthetic arm of the Black

    Power movement, a militant political operation that rejected the

    integrationist purposes and practices of the Civil Rights movement that

    preceded it. The Black Arts movement was one of the only American

    literary movements to merge art with a political agenda. Because poems

    were short and could be recited at rallies and other political activities to

    incite and move a crowd, poetry was the most popular literary genre of

    the Black Arts movement, followed closely by drama. Poet, playwright,

    activist, and major figure of the Black Arts movement, Amiri Baraka

    (formerly LeRoi Jones) coined the term Black Arts when he established

    his Black Arts Repertory Theatre/School in New York City’s Harlem.

    Although the Black Arts movement began its decline during the mid-

    1970s, at the same time as the Black Power movement began its descent,

    it introduced a new breed of black poets and a new brand of black

    poetry. It also inspired and energized already established poets like

    Gwendolyn BROOKS and Robert Hayden. The Black Arts movement

    created many poetic innovations in form, language, and style that have

    influenced the work of many of today’s spoken word artists and socially

    conscious rap lyricists.

    [https://literariness.org/author/nasrullahmambrol/](https://literariness.org/author/nasrullahmambrol/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond)

    The poets most often associated with the Black Arts movement include

    Baraka, Sonia Sanchez, Etheridge Knight, Nikki Giovanni, Larry Neal,

    Mari Evans, Don L. Lee (now known as Haki Madhubutti), Carolyn

    Rodgers, Marvin X, Jayne Cortez, Askia Toure, and June Jordan. A

    number of important African-American playwrights, fiction writers, and

    scholars also made significant contributions to the Black Arts

    movement, creatively as well as philosophically and theoretically, by

    defining and outlining the objectives and criteria of the movement and

    its “black aesthetic.”

    Several publishing houses and workshops were founded during the

    period of the movement, and several magazines and journals emerged,

    all of which provided a vehicle for the literary work of Black Arts poets.

    Literary publications, such as Freedomways, Negro Digest (later

    renamed Black World), the Black Scholar, the Journal of Black

    Poetry, and Liberator, brought Black Arts movement poets to a larger

    audience when more established publications rejected their work. Two

    important publishing houses—Dudley Randall’s Broadside Press in

    Detroit and Madhubuti’s Third World Press in Chicago—were also

    instrumental in helping to introduce new poets and to disseminate their

    work. Umbra Workshop (1962–65), composed of a group of black

    writers, produced Umbra Magazine and gained significance as a literary

    group that created a distinct voice and often challenged mainstream

    standards concerning literature. Lastly, Baraka’s Black Arts Repertory

    Theatre/School, founded in 1965, brought free plays, poetry readings,

    and musical performances to the people of Harlem, thereby carrying out

    the idea of art as a communal experience.

    The Black Power movement, from which the Black Arts movement

    derived, sought to empower African- American communities

    economically and politically by relying solely on resources within the

    black community. It also sought to celebrate blackness and restore

    positive images of black people from the negative stereotyping that took

    place in the larger society. Thus slogans, such as “Black Is Beautiful,”

    were prominent during the time. Members of organizations, such as the

    Student Non-Violent Coordinating Committee (SNCC), under the

    leadership of Stokely Carmichael, and the Black Panther Party, founded

    by Huey Newton and Bobby Seale, demanded racial equality, not

    through the methods of passive resistance associated with Dr. Martin

    Luther King, Jr., but “by any means necessary” (a slogan of the party),

    including “violent revolution,” as stated by Malcolm X. Moreover,

    “black cultural nationalism,” the belief that blacks and whites had two

    separate worldviews and outlooks on life, was a prominent idea in both

    the Black Power and the Black Arts movements. As a result, Black Arts

    movement writers experimented with methods of artistic expression that

    were characteristic of African-American culture and experience. First all

    of the poetry was infused with a certain level of black consciousness,

    meaning that its subjects and themes reflected the quality and character

    of black experience. In form, Black Arts movement poets often rejected

    standard English in favor of Black English, a more colloquial and

    vernacular language and syntax. They peppered it with street slang and

    idiomatic phrases that were simple, direct, explicit, and often irreverent.

    In addition the poetry borrowed greatly from black music, using

    rhythmical effects from jazz and blues, as well as from other forms of

    black oral speech, such as sermons, folktales, signifying (an intricate,

    humorous language style that uses indirection, innuendo, puns,

    metaphors, and other wordplay to persuade, argue, send a message, or

    insult), and the dozens (a form of signifying that involves trading insults,

    primarily about a person’s relatives). Other common features of the

    poetry include free verse, short line lengths, call-and-response patterns,

    chanting, and free rhyming.

    The Black Arts movement had much in common with another period of

    increased artistic production among African-American writers—the

    Harlem Renaissance of the 1920s. During both periods, there was an

    increased interest in establishing a more assertive black collective

    identity than had previously existed (during the Harlem Renaissance, it

    was called “the New Negro”) and in searching for ethnic identity and

    heritage in folk and African culture. Thus poets from both periods

    experimented with folk elements, such as blues, spirituals, and

    vernacular idioms in their poetry, and venerated Africa. However,

    despite these similarities, many Black Arts movement writers were

    critical of the objectives of the Harlem Renaissance, believing it had

    failed to link itself concretely to the struggle of the black masses.

    Adherents of the Black Arts movement were also critical of Harlem

    Renaissance writers’ reliance on white patronage, as well as their

    tendency to esteem Western art, to desire mainstream recognition, and to

    write with a white audience in mind. They felt that this compromised

    black writers’ ability to be completely honest in their depiction and

    expression of black life and struggle.

    The Black Arts movement established a number of objectives and

    criteria for its creative artists to follow. Primary among them was to

    persuade African Americans to reject the mainstream culture and the

    process of Americanization and assimilation, instead encouraging them

    to embrace a “black aesthetic,” whereby black people would look to

    their own culture and aesthetic values to create and evaluate African-

    American literature. The three major criteria of the Black Arts

    movement, established by Ron Karenga, were that all black art must be

    “functional, collective, and committed” (33). The functional nature of

    black art meant that the literary work must serve a purpose larger than

    merely the creation of art. It had to be connected to the social and

    political struggles in which African-American people were engaged. The

    second criterion, that black art must be “collective,” meant that it must

    serve the people; it must educate, inspire, and uplift them. Reciprocally,

    the artist must learn from and be inspired and uplifted by the people. The

    artist must be prepared to sacrifice her or his own individuality and,

    instead, always write with the good of the people in mind. Third and

    lastly, black art must be committed to political and social reform and

    supportive of the revolution that will bring this about. In essence the

    Black Arts movement’s objectives were to reach the masses of black

    people, to make them understand their message of self-sufficiency and

    dignity, and to inspire them to act upon it.

    Many of the criteria and objectives of the Black Arts movement are

    discernible within the poetry itself. For example, in “From the Egyptian”

    in his 1966 collection Black Art, Baraka makes clear that violent

    confrontation with the oppressors of black people is an imminent reality

    as he asserts that he is prepared to murder “the enemies / of my father.”

    Likewise, in “The True Import of Present Dialogue, Black vs. Negro”

    in Black Feeling, Black Talk (1968), Giovanni tells black people: “We

    ain’t got to prove we can die / We got to prove we can kill.” Giovanni

    also demonstrates the criterion of commitment with “My Poem” (1968),

    when she writes in support of the revolution and its enduring nature,

    stating that “if i never do anything / it will go on.” The didacticism of

    much Black Arts poetry is visible in Baraka’s “A School of Prayer”

    (1966). In this poem, Baraka tells his black audience: “Do not obey their

    laws.” “Their,” of course, refers to white society. Essentially Baraka

    urges black people to rebel against white authority and be wary of the

    words spoken by those who seek to oppress them because their purpose

    is to deceive black people and curtail their advancement. The celebration

    of blackness is also noticeable in Black Arts poetry. Sanchez, perhaps

    the female poet most closely identified with the Black Arts movement,

    reclaims the dignity of black womanhood in an unnamed poem in her

    volume We a BaddDDD People (1970), when she links herself as a

    black woman to a regal African queen who will, “Walk / move in / blk

    queenly ways.” Similarly, in “Ka Ba” (1969), Baraka affirms the

    uniqueness of black expressive culture and of black people, whom he

    describes as “full of masks and dances and swelling chants / with

    African eyes and noses and arms,” despite the present condition of

    oppression and degradation under which many African Americans live.

    In both of these poems, Sanchez and Baraka seek to restore to black

    people a positive representation of blackness and raise their collective

    sense of identity.

    Many of the poems in Sanchez’s collection We a BaddDDD

    People exemplify experimentation with language. In

    “indianapolis/summer/1969/poem,” Sanchez provides a new spelling of

    the words mothers (“mothas”), fathers (“fathas”), and sisters (sistuhs”);

    the word about becomes “bout,” the word black becomes “blk,” and the

    word I becomes “i.” The changes in spelling, as well as the use of

    nonstandard English in Sanchez’s poems, are meant to capture the

    syntax and vernacular speech of many within the black community,

    while the abbreviated spelling of “blk” and the lower case “i” are part of

    Sanchez’s refusal to adhere to the rules of standard English. Many Black

    Arts poets perceived language to be a tool of the oppressor and therefore

    sought ways to make it their own. Lastly, the use of pejorative

    terminology and irreverent language was also common among Black

    Arts poets. The police were often referred to as “pigs,” and white people

    were termed “honkies” or “crackers.”

    Several criticisms have been leveled against the Black Arts movement.

    One was that it tended only to address issues of race and to promote

    racial hatred. Also the functional aspect of the Black Arts movement

    came to be denounced by newly emerging black literary critics who

    claimed that the literature itself was often subordinate to the political or

    social message of the movement. These critics saw this as detrimental to

    black literature, creating a narrowness of focus that creatively limited the

    artist and the kinds of literature he or she could compose. In addition

    there was a tendency in the Black Arts movement to devise theories

    prior to the creation of an actual body of literature that would prove the

    theory. Therefore the literature was driven by the theory rather than the

    other way around. Lastly, some Black Arts movement writers were

    known to judge harshly any black writer who did not conform to the

    criteria and objectives of the movement. Even black writers of the past

    were not exempt from being maligned, and Black Arts movement

    writers often did criticize them without always taking into consideration

    the historical period and context in which these past writers were

    composing their literature.

    Still the Black Arts movement’s influence and contributions to

    American poetry were far reaching. It made literary artists rethink the

    function and purpose of their work and their responsibility to their

    communities and to society. It also influenced and continues to inspire

    new generations of poets to experiment with a variety of artistic forms to

    refuse the pressure to conform to Western standards of art and to write,

    embrace, and derive their art from within their own expressive culture

    **## AnIntroductiontotheBlackArtsMovement20-1.pdf**

    An Introduction to the Black Arts Movement
    B Y N A S R U L L A H M A M B R O L ON J U L Y 9 , 2 0 2 0 • ( 0 )

    The Black Arts movement was a controversial literary faction that

    emerged in the mid-1960s as the artistic and aesthetic arm of the Black

    Power movement, a militant political operation that rejected the

    integrationist purposes and practices of the Civil Rights movement that

    preceded it. The Black Arts movement was one of the only American

    literary movements to merge art with a political agenda. Because poems

    were short and could be recited at rallies and other political activities to

    incite and move a crowd, poetry was the most popular literary genre of

    the Black Arts movement, followed closely by drama. Poet, playwright,

    activist, and major figure of the Black Arts movement, Amiri Baraka

    (formerly LeRoi Jones) coined the term Black Arts when he established

    his Black Arts Repertory Theatre/School in New York City’s Harlem.

    Although the Black Arts movement began its decline during the mid-

    1970s, at the same time as the Black Power movement began its descent,

    it introduced a new breed of black poets and a new brand of black

    poetry. It also inspired and energized already established poets like

    Gwendolyn BROOKS and Robert Hayden. The Black Arts movement

    created many poetic innovations in form, language, and style that have

    influenced the work of many of today’s spoken word artists and socially

    conscious rap lyricists.

    [https://literariness.org/author/nasrullahmambrol/](https://literariness.org/author/nasrullahmambrol/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond)

    The poets most often associated with the Black Arts movement include

    Baraka, Sonia Sanchez, Etheridge Knight, Nikki Giovanni, Larry Neal,

    Mari Evans, Don L. Lee (now known as Haki Madhubutti), Carolyn

    Rodgers, Marvin X, Jayne Cortez, Askia Toure, and June Jordan. A

    number of important African-American playwrights, fiction writers, and

    scholars also made significant contributions to the Black Arts

    movement, creatively as well as philosophically and theoretically, by

    defining and outlining the objectives and criteria of the movement and

    its “black aesthetic.”

    Several publishing houses and workshops were founded during the

    period of the movement, and several magazines and journals emerged,

    all of which provided a vehicle for the literary work of Black Arts poets.

    Literary publications, such as Freedomways, Negro Digest (later

    renamed Black World), the Black Scholar, the Journal of Black

    Poetry, and Liberator, brought Black Arts movement poets to a larger

    audience when more established publications rejected their work. Two

    important publishing houses—Dudley Randall’s Broadside Press in

    Detroit and Madhubuti’s Third World Press in Chicago—were also

    instrumental in helping to introduce new poets and to disseminate their

    work. Umbra Workshop (1962–65), composed of a group of black

    writers, produced Umbra Magazine and gained significance as a literary

    group that created a distinct voice and often challenged mainstream

    standards concerning literature. Lastly, Baraka’s Black Arts Repertory

    Theatre/School, founded in 1965, brought free plays, poetry readings,

    and musical performances to the people of Harlem, thereby carrying out

    the idea of art as a communal experience.

    The Black Power movement, from which the Black Arts movement

    derived, sought to empower African- American communities

    economically and politically by relying solely on resources within the

    black community. It also sought to celebrate blackness and restore

    positive images of black people from the negative stereotyping that took

    place in the larger society. Thus slogans, such as “Black Is Beautiful,”

    were prominent during the time. Members of organizations, such as the

    Student Non-Violent Coordinating Committee (SNCC), under the

    leadership of Stokely Carmichael, and the Black Panther Party, founded

    by Huey Newton and Bobby Seale, demanded racial equality, not

    through the methods of passive resistance associated with Dr. Martin

    Luther King, Jr., but “by any means necessary” (a slogan of the party),

    including “violent revolution,” as stated by Malcolm X. Moreover,

    “black cultural nationalism,” the belief that blacks and whites had two

    separate worldviews and outlooks on life, was a prominent idea in both

    the Black Power and the Black Arts movements. As a result, Black Arts

    movement writers experimented with methods of artistic expression that

    were characteristic of African-American culture and experience. First all

    of the poetry was infused with a certain level of black consciousness,

    meaning that its subjects and themes reflected the quality and character

    of black experience. In form, Black Arts movement poets often rejected

    standard English in favor of Black English, a more colloquial and

    vernacular language and syntax. They peppered it with street slang and

    idiomatic phrases that were simple, direct, explicit, and often irreverent.

    In addition the poetry borrowed greatly from black music, using

    rhythmical effects from jazz and blues, as well as from other forms of

    black oral speech, such as sermons, folktales, signifying (an intricate,

    humorous language style that uses indirection, innuendo, puns,

    metaphors, and other wordplay to persuade, argue, send a message, or

    insult), and the dozens (a form of signifying that involves trading insults,

    primarily about a person’s relatives). Other common features of the

    poetry include free verse, short line lengths, call-and-response patterns,

    chanting, and free rhyming.

    The Black Arts movement had much in common with another period of

    increased artistic production among African-American writers—the

    Harlem Renaissance of the 1920s. During both periods, there was an

    increased interest in establishing a more assertive black collective

    identity than had previously existed (during the Harlem Renaissance, it

    was called “the New Negro”) and in searching for ethnic identity and

    heritage in folk and African culture. Thus poets from both periods

    experimented with folk elements, such as blues, spirituals, and

    vernacular idioms in their poetry, and venerated Africa. However,

    despite these similarities, many Black Arts movement writers were

    critical of the objectives of the Harlem Renaissance, believing it had

    failed to link itself concretely to the struggle of the black masses.

    Adherents of the Black Arts movement were also critical of Harlem

    Renaissance writers’ reliance on white patronage, as well as their

    tendency to esteem Western art, to desire mainstream recognition, and to

    write with a white audience in mind. They felt that this compromised

    black writers’ ability to be completely honest in their depiction and

    expression of black life and struggle.

    The Black Arts movement established a number of objectives and

    criteria for its creative artists to follow. Primary among them was to

    persuade African Americans to reject the mainstream culture and the

    process of Americanization and assimilation, instead encouraging them

    to embrace a “black aesthetic,” whereby black people would look to

    their own culture and aesthetic values to create and evaluate African-

    American literature. The three major criteria of the Black Arts

    movement, established by Ron Karenga, were that all black art must be

    “functional, collective, and committed” (33). The functional nature of

    black art meant that the literary work must serve a purpose larger than

    merely the creation of art. It had to be connected to the social and

    political struggles in which African-American people were engaged. The

    second criterion, that black art must be “collective,” meant that it must

    serve the people; it must educate, inspire, and uplift them. Reciprocally,

    the artist must learn from and be inspired and uplifted by the people. The

    artist must be prepared to sacrifice her or his own individuality and,

    instead, always write with the good of the people in mind. Third and

    lastly, black art must be committed to political and social reform and

    supportive of the revolution that will bring this about. In essence the

    Black Arts movement’s objectives were to reach the masses of black

    people, to make them understand their message of self-sufficiency and

    dignity, and to inspire them to act upon it.

    Many of the criteria and objectives of the Black Arts movement are

    discernible within the poetry itself. For example, in “From the Egyptian”

    in his 1966 collection Black Art, Baraka makes clear that violent

    confrontation with the oppressors of black people is an imminent reality

    as he asserts that he is prepared to murder “the enemies / of my father.”

    Likewise, in “The True Import of Present Dialogue, Black vs. Negro”

    in Black Feeling, Black Talk (1968), Giovanni tells black people: “We

    ain’t got to prove we can die / We got to prove we can kill.” Giovanni

    also demonstrates the criterion of commitment with “My Poem” (1968),

    when she writes in support of the revolution and its enduring nature,

    stating that “if i never do anything / it will go on.” The didacticism of

    much Black Arts poetry is visible in Baraka’s “A School of Prayer”

    (1966). In this poem, Baraka tells his black audience: “Do not obey their

    laws.” “Their,” of course, refers to white society. Essentially Baraka

    urges black people to rebel against white authority and be wary of the

    words spoken by those who seek to oppress them because their purpose

    is to deceive black people and curtail their advancement. The celebration

    of blackness is also noticeable in Black Arts poetry. Sanchez, perhaps

    the female poet most closely identified with the Black Arts movement,

    reclaims the dignity of black womanhood in an unnamed poem in her

    volume We a BaddDDD People (1970), when she links herself as a

    black woman to a regal African queen who will, “Walk / move in / blk

    queenly ways.” Similarly, in “Ka Ba” (1969), Baraka affirms the

    uniqueness of black expressive culture and of black people, whom he

    describes as “full of masks and dances and swelling chants / with

    African eyes and noses and arms,” despite the present condition of

    oppression and degradation under which many African Americans live.

    In both of these poems, Sanchez and Baraka seek to restore to black

    people a positive representation of blackness and raise their collective

    sense of identity.

    Many of the poems in Sanchez’s collection We a BaddDDD

    People exemplify experimentation with language. In

    “indianapolis/summer/1969/poem,” Sanchez provides a new spelling of

    the words mothers (“mothas”), fathers (“fathas”), and sisters (sistuhs”);

    the word about becomes “bout,” the word black becomes “blk,” and the

    word I becomes “i.” The changes in spelling, as well as the use of

    nonstandard English in Sanchez’s poems, are meant to capture the

    syntax and vernacular speech of many within the black community,

    while the abbreviated spelling of “blk” and the lower case “i” are part of

    Sanchez’s refusal to adhere to the rules of standard English. Many Black

    Arts poets perceived language to be a tool of the oppressor and therefore

    sought ways to make it their own. Lastly, the use of pejorative

    terminology and irreverent language was also common among Black

    Arts poets. The police were often referred to as “pigs,” and white people

    were termed “honkies” or “crackers.”

    Several criticisms have been leveled against the Black Arts movement.

    One was that it tended only to address issues of race and to promote

    racial hatred. Also the functional aspect of the Black Arts movement

    came to be denounced by newly emerging black literary critics who

    claimed that the literature itself was often subordinate to the political or

    social message of the movement. These critics saw this as detrimental to

    black literature, creating a narrowness of focus that creatively limited the

    artist and the kinds of literature he or she could compose. In addition

    there was a tendency in the Black Arts movement to devise theories

    prior to the creation of an actual body of literature that would prove the

    theory. Therefore the literature was driven by the theory rather than the

    other way around. Lastly, some Black Arts movement writers were

    known to judge harshly any black writer who did not conform to the

    criteria and objectives of the movement. Even black writers of the past

    were not exempt from being maligned, and Black Arts movement

    writers often did criticize them without always taking into consideration

    the historical period and context in which these past writers were

    composing their literature.

    Still the Black Arts movement’s influence and contributions to

    American poetry were far reaching. It made literary artists rethink the

    function and purpose of their work and their responsibility to their

    communities and to society. It also influenced and continues to inspire

    new generations of poets to experiment with a variety of artistic forms to

    refuse the pressure to conform to Western standards of art and to write,

    embrace, and derive their art from within their own expressive culture

    **## BlackArtsResponse.docx**

    Black Arts Response

    Humanities   Black Art Response –

    Scholars.. for this assignment …. you are going to look for art or even monuments on campus…at a museum.. paintings, art around town, at a church..  , etc
    Locate artwork that you believe reflects the Black Experience.. (paintings, sculptures, statues,  photograph by the artist… for example..Gordan Parks was a famous photographer and his work is considered art..etc)
    OPTION B – If  you are unable to  physically go out on campus or in the community to seek out art… you may google….Black Art and still follow the instructions below.

    INSTRUCTIONS
    Do this assignment in a power point or keynote.. using seven or eight slides..  OR.. you do a video of YOURSELF, responding to the question below and actually showing the art that you selected.. . click Start Assignment to post

    Slide 1 – Title page
    Black Art Response…  (your  name  HUMA course number and section)
    Slide 2=Take a picture of a piece of art that speaks to you and post it in this slide  (YES you can use more than one art piece if you like)
    Slide 3 -Name of Artist and background info (if known)
    Slide 4 Where this art is located?  (on campus… downtown in which city… at a museum…if so which museum..  )
    Slide 5 Description of art and what it represents to you
    Slide 6  In what way do YOU believe this art is connected with , or influences the Black Experience and society as a whole?
    Slide 7 – Explain how it connects with any of the black movements we have studied in this course (based on readings and videos).. PLEASE ELABORATE

    Week 4- Black Arts/Black Power Movement

    [An Introduction to the Black Arts Movement 20-1.pdf](https://wileyc.instructure.com/courses/9362/files/811262?wrap=1) [Download An Introduction to the Black Arts Movement 20-1.pdf](https://wileyc.instructure.com/courses/9362/files/811262/download?download_frd=1)

    Article , please read

    [https://youtu.be/0IhzbA6lHTQ?feature=sharedLinks to an external site.](https://youtu.be/0IhzbA6lHTQ?feature=shared)![A black and grey play button AI-generated content may be incorrect.](https://www.sweetstudy.com/questions/help-w-assgn-due-in-16-hours)

    Black Panther Party for Self Defense

    Scholars, please read the article and  watch this video and respond to questions by clicking START ASSIGNMENT. IN YOUR OWN WORDS… respond to the questions..  Please write in COMPLETE SENTENCES.

    What was the Black Arts Movement and Who were 3 of the artist, what was their art form,  from that era..

    What are three significant things you learned from the article…and three significant things you learned from viewing this film?

    What are some of the demands involved in the Black Panther Party?

    What are some of the surprising details you learned from this film?

    Describe the programs developed by the Black Panther Party and how they benefited Black people

    What part did art, music, poetry, etc, play during the height of the Black Panther Party?

    ## image1.png

    **## AnIntroductiontotheBlackArtsMovement20-1.pdf**

    An Introduction to the Black Arts Movement
    B Y N A S R U L L A H M A M B R O L ON J U L Y 9 , 2 0 2 0 • ( 0 )

    The Black Arts movement was a controversial literary faction that

    emerged in the mid-1960s as the artistic and aesthetic arm of the Black

    Power movement, a militant political operation that rejected the

    integrationist purposes and practices of the Civil Rights movement that

    preceded it. The Black Arts movement was one of the only American

    literary movements to merge art with a political agenda. Because poems

    were short and could be recited at rallies and other political activities to

    incite and move a crowd, poetry was the most popular literary genre of

    the Black Arts movement, followed closely by drama. Poet, playwright,

    activist, and major figure of the Black Arts movement, Amiri Baraka

    (formerly LeRoi Jones) coined the term Black Arts when he established

    his Black Arts Repertory Theatre/School in New York City’s Harlem.

    Although the Black Arts movement began its decline during the mid-

    1970s, at the same time as the Black Power movement began its descent,

    it introduced a new breed of black poets and a new brand of black

    poetry. It also inspired and energized already established poets like

    Gwendolyn BROOKS and Robert Hayden. The Black Arts movement

    created many poetic innovations in form, language, and style that have

    influenced the work of many of today’s spoken word artists and socially

    conscious rap lyricists.

    [https://literariness.org/author/nasrullahmambrol/](https://literariness.org/author/nasrullahmambrol/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond)

    The poets most often associated with the Black Arts movement include

    Baraka, Sonia Sanchez, Etheridge Knight, Nikki Giovanni, Larry Neal,

    Mari Evans, Don L. Lee (now known as Haki Madhubutti), Carolyn

    Rodgers, Marvin X, Jayne Cortez, Askia Toure, and June Jordan. A

    number of important African-American playwrights, fiction writers, and

    scholars also made significant contributions to the Black Arts

    movement, creatively as well as philosophically and theoretically, by

    defining and outlining the objectives and criteria of the movement and

    its “black aesthetic.”

    Several publishing houses and workshops were founded during the

    period of the movement, and several magazines and journals emerged,

    all of which provided a vehicle for the literary work of Black Arts poets.

    Literary publications, such as Freedomways, Negro Digest (later

    renamed Black World), the Black Scholar, the Journal of Black

    Poetry, and Liberator, brought Black Arts movement poets to a larger

    audience when more established publications rejected their work. Two

    important publishing houses—Dudley Randall’s Broadside Press in

    Detroit and Madhubuti’s Third World Press in Chicago—were also

    instrumental in helping to introduce new poets and to disseminate their

    work. Umbra Workshop (1962–65), composed of a group of black

    writers, produced Umbra Magazine and gained significance as a literary

    group that created a distinct voice and often challenged mainstream

    standards concerning literature. Lastly, Baraka’s Black Arts Repertory

    Theatre/School, founded in 1965, brought free plays, poetry readings,

    and musical performances to the people of Harlem, thereby carrying out

    the idea of art as a communal experience.

    The Black Power movement, from which the Black Arts movement

    derived, sought to empower African- American communities

    economically and politically by relying solely on resources within the

    black community. It also sought to celebrate blackness and restore

    positive images of black people from the negative stereotyping that took

    place in the larger society. Thus slogans, such as “Black Is Beautiful,”

    were prominent during the time. Members of organizations, such as the

    Student Non-Violent Coordinating Committee (SNCC), under the

    leadership of Stokely Carmichael, and the Black Panther Party, founded

    by Huey Newton and Bobby Seale, demanded racial equality, not

    through the methods of passive resistance associated with Dr. Martin

    Luther King, Jr., but “by any means necessary” (a slogan of the party),

    including “violent revolution,” as stated by Malcolm X. Moreover,

    “black cultural nationalism,” the belief that blacks and whites had two

    separate worldviews and outlooks on life, was a prominent idea in both

    the Black Power and the Black Arts movements. As a result, Black Arts

    movement writers experimented with methods of artistic expression that

    were characteristic of African-American culture and experience. First all

    of the poetry was infused with a certain level of black consciousness,

    meaning that its subjects and themes reflected the quality and character

    of black experience. In form, Black Arts movement poets often rejected

    standard English in favor of Black English, a more colloquial and

    vernacular language and syntax. They peppered it with street slang and

    idiomatic phrases that were simple, direct, explicit, and often irreverent.

    In addition the poetry borrowed greatly from black music, using

    rhythmical effects from jazz and blues, as well as from other forms of

    black oral speech, such as sermons, folktales, signifying (an intricate,

    humorous language style that uses indirection, innuendo, puns,

    metaphors, and other wordplay to persuade, argue, send a message, or

    insult), and the dozens (a form of signifying that involves trading insults,

    primarily about a person’s relatives). Other common features of the

    poetry include free verse, short line lengths, call-and-response patterns,

    chanting, and free rhyming.

    The Black Arts movement had much in common with another period of

    increased artistic production among African-American writers—the

    Harlem Renaissance of the 1920s. During both periods, there was an

    increased interest in establishing a more assertive black collective

    identity than had previously existed (during the Harlem Renaissance, it

    was called “the New Negro”) and in searching for ethnic identity and

    heritage in folk and African culture. Thus poets from both periods

    experimented with folk elements, such as blues, spirituals, and

    vernacular idioms in their poetry, and venerated Africa. However,

    despite these similarities, many Black Arts movement writers were

    critical of the objectives of the Harlem Renaissance, believing it had

    failed to link itself concretely to the struggle of the black masses.

    Adherents of the Black Arts movement were also critical of Harlem

    Renaissance writers’ reliance on white patronage, as well as their

    tendency to esteem Western art, to desire mainstream recognition, and to

    write with a white audience in mind. They felt that this compromised

    black writers’ ability to be completely honest in their depiction and

    expression of black life and struggle.

    The Black Arts movement established a number of objectives and

    criteria for its creative artists to follow. Primary among them was to

    persuade African Americans to reject the mainstream culture and the

    process of Americanization and assimilation, instead encouraging them

    to embrace a “black aesthetic,” whereby black people would look to

    their own culture and aesthetic values to create and evaluate African-

    American literature. The three major criteria of the Black Arts

    movement, established by Ron Karenga, were that all black art must be

    “functional, collective, and committed” (33). The functional nature of

    black art meant that the literary work must serve a purpose larger than

    merely the creation of art. It had to be connected to the social and

    political struggles in which African-American people were engaged. The

    second criterion, that black art must be “collective,” meant that it must

    serve the people; it must educate, inspire, and uplift them. Reciprocally,

    the artist must learn from and be inspired and uplifted by the people. The

    artist must be prepared to sacrifice her or his own individuality and,

    instead, always write with the good of the people in mind. Third and

    lastly, black art must be committed to political and social reform and

    supportive of the revolution that will bring this about. In essence the

    Black Arts movement’s objectives were to reach the masses of black

    people, to make them understand their message of self-sufficiency and

    dignity, and to inspire them to act upon it.

    Many of the criteria and objectives of the Black Arts movement are

    discernible within the poetry itself. For example, in “From the Egyptian”

    in his 1966 collection Black Art, Baraka makes clear that violent

    confrontation with the oppressors of black people is an imminent reality

    as he asserts that he is prepared to murder “the enemies / of my father.”

    Likewise, in “The True Import of Present Dialogue, Black vs. Negro”

    in Black Feeling, Black Talk (1968), Giovanni tells black people: “We

    ain’t got to prove we can die / We got to prove we can kill.” Giovanni

    also demonstrates the criterion of commitment with “My Poem” (1968),

    when she writes in support of the revolution and its enduring nature,

    stating that “if i never do anything / it will go on.” The didacticism of

    much Black Arts poetry is visible in Baraka’s “A School of Prayer”

    (1966). In this poem, Baraka tells his black audience: “Do not obey their

    laws.” “Their,” of course, refers to white society. Essentially Baraka

    urges black people to rebel against white authority and be wary of the

    words spoken by those who seek to oppress them because their purpose

    is to deceive black people and curtail their advancement. The celebration

    of blackness is also noticeable in Black Arts poetry. Sanchez, perhaps

    the female poet most closely identified with the Black Arts movement,

    reclaims the dignity of black womanhood in an unnamed poem in her

    volume We a BaddDDD People (1970), when she links herself as a

    black woman to a regal African queen who will, “Walk / move in / blk

    queenly ways.” Similarly, in “Ka Ba” (1969), Baraka affirms the

    uniqueness of black expressive culture and of black people, whom he

    describes as “full of masks and dances and swelling chants / with

    African eyes and noses and arms,” despite the present condition of

    oppression and degradation under which many African Americans live.

    In both of these poems, Sanchez and Baraka seek to restore to black

    people a positive representation of blackness and raise their collective

    sense of identity.

    Many of the poems in Sanchez’s collection We a BaddDDD

    People exemplify experimentation with language. In

    “indianapolis/summer/1969/poem,” Sanchez provides a new spelling of

    the words mothers (“mothas”), fathers (“fathas”), and sisters (sistuhs”);

    the word about becomes “bout,” the word black becomes “blk,” and the

    word I becomes “i.” The changes in spelling, as well as the use of

    nonstandard English in Sanchez’s poems, are meant to capture the

    syntax and vernacular speech of many within the black community,

    while the abbreviated spelling of “blk” and the lower case “i” are part of

    Sanchez’s refusal to adhere to the rules of standard English. Many Black

    Arts poets perceived language to be a tool of the oppressor and therefore

    sought ways to make it their own. Lastly, the use of pejorative

    terminology and irreverent language was also common among Black

    Arts poets. The police were often referred to as “pigs,” and white people

    were termed “honkies” or “crackers.”

    Several criticisms have been leveled against the Black Arts movement.

    One was that it tended only to address issues of race and to promote

    racial hatred. Also the functional aspect of the Black Arts movement

    came to be denounced by newly emerging black literary critics who

    claimed that the literature itself was often subordinate to the political or

    social message of the movement. These critics saw this as detrimental to

    black literature, creating a narrowness of focus that creatively limited the

    artist and the kinds of literature he or she could compose. In addition

    there was a tendency in the Black Arts movement to devise theories

    prior to the creation of an actual body of literature that would prove the

    theory. Therefore the literature was driven by the theory rather than the

    other way around. Lastly, some Black Arts movement writers were

    known to judge harshly any black writer who did not conform to the

    criteria and objectives of the movement. Even black writers of the past

    were not exempt from being maligned, and Black Arts movement

    writers often did criticize them without always taking into consideration

    the historical period and context in which these past writers were

    composing their literature.

    Still the Black Arts movement’s influence and contributions to

    American poetry were far reaching. It made literary artists rethink the

    function and purpose of their work and their responsibility to their

    communities and to society. It also influenced and continues to inspire

    new generations of poets to experiment with a variety of artistic forms to

    refuse the pressure to conform to Western standards of art and to write,

    embrace, and derive their art from within their own expressive culture

    **## BlackArtsResponse.docx**

    Black Arts Response

    Humanities   Black Art Response –

    Scholars.. for this assignment …. you are going to look for art or even monuments on campus…at a museum.. paintings, art around town, at a church..  , etc
    Locate artwork that you believe reflects the Black Experience.. (paintings, sculptures, statues,  photograph by the artist… for example..Gordan Parks was a famous photographer and his work is considered art..etc)
    OPTION B – If  you are unable to  physically go out on campus or in the community to seek out art… you may google….Black Art and still follow the instructions below.

    INSTRUCTIONS
    Do this assignment in a power point or keynote.. using seven or eight slides..  OR.. you do a video of YOURSELF, responding to the question below and actually showing the art that you selected.. . click Start Assignment to post

    Slide 1 – Title page
    Black Art Response…  (your  name  HUMA course number and section)
    Slide 2=Take a picture of a piece of art that speaks to you and post it in this slide  (YES you can use more than one art piece if you like)
    Slide 3 -Name of Artist and background info (if known)
    Slide 4 Where this art is located?  (on campus… downtown in which city… at a museum…if so which museum..  )
    Slide 5 Description of art and what it represents to you
    Slide 6  In what way do YOU believe this art is connected with , or influences the Black Experience and society as a whole?
    Slide 7 – Explain how it connects with any of the black movements we have studied in this course (based on readings and videos).. PLEASE ELABORATE

    Week 4- Black Arts/Black Power Movement

    [An Introduction to the Black Arts Movement 20-1.pdf](https://wileyc.instructure.com/courses/9362/files/811262?wrap=1) [Download An Introduction to the Black Arts Movement 20-1.pdf](https://wileyc.instructure.com/courses/9362/files/811262/download?download_frd=1)

    Article , please read

    [https://youtu.be/0IhzbA6lHTQ?feature=sharedLinks to an external site.](https://youtu.be/0IhzbA6lHTQ?feature=shared)![A black and grey play button AI-generated content may be incorrect.](https://www.sweetstudy.com/questions/help-w-assgn-due-in-16-hours)

    Black Panther Party for Self Defense

    Scholars, please read the article and  watch this video and respond to questions by clicking START ASSIGNMENT. IN YOUR OWN WORDS… respond to the questions..  Please write in COMPLETE SENTENCES.

    What was the Black Arts Movement and Who were 3 of the artist, what was their art form,  from that era..

    What are three significant things you learned from the article…and three significant things you learned from viewing this film?

    What are some of the demands involved in the Black Panther Party?

    What are some of the surprising details you learned from this film?

    Describe the programs developed by the Black Panther Party and how they benefited Black people

    What part did art, music, poetry, etc, play during the height of the Black Panther Party?

    ## image1.png

    **## AnIntroductiontotheBlackArtsMovement20-1.pdf**

    An Introduction to the Black Arts Movement
    B Y N A S R U L L A H M A M B R O L ON J U L Y 9 , 2 0 2 0 • ( 0 )

    The Black Arts movement was a controversial literary faction that

    emerged in the mid-1960s as the artistic and aesthetic arm of the Black

    Power movement, a militant political operation that rejected the

    integrationist purposes and practices of the Civil Rights movement that

    preceded it. The Black Arts movement was one of the only American

    literary movements to merge art with a political agenda. Because poems

    were short and could be recited at rallies and other political activities to

    incite and move a crowd, poetry was the most popular literary genre of

    the Black Arts movement, followed closely by drama. Poet, playwright,

    activist, and major figure of the Black Arts movement, Amiri Baraka

    (formerly LeRoi Jones) coined the term Black Arts when he established

    his Black Arts Repertory Theatre/School in New York City’s Harlem.

    Although the Black Arts movement began its decline during the mid-

    1970s, at the same time as the Black Power movement began its descent,

    it introduced a new breed of black poets and a new brand of black

    poetry. It also inspired and energized already established poets like

    Gwendolyn BROOKS and Robert Hayden. The Black Arts movement

    created many poetic innovations in form, language, and style that have

    influenced the work of many of today’s spoken word artists and socially

    conscious rap lyricists.

    [https://literariness.org/author/nasrullahmambrol/](https://literariness.org/author/nasrullahmambrol/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/)

    [https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond](https://literariness.org/2020/07/09/an-introduction-to-the-black-arts-movement/#respond)

    The poets most often associated with the Black Arts movement include

    Baraka, Sonia Sanchez, Etheridge Knight, Nikki Giovanni, Larry Neal,

    Mari Evans, Don L. Lee (now known as Haki Madhubutti), Carolyn

    Rodgers, Marvin X, Jayne Cortez, Askia Toure, and June Jordan. A

    number of important African-American playwrights, fiction writers, and

    scholars also made significant contributions to the Black Arts

    movement, creatively as well as philosophically and theoretically, by

    defining and outlining the objectives and criteria of the movement and

    its “black aesthetic.”

    Several publishing houses and workshops were founded during the

    period of the movement, and several magazines and journals emerged,

    all of which provided a vehicle for the literary work of Black Arts poets.

    Literary publications, such as Freedomways, Negro Digest (later

    renamed Black World), the Black Scholar, the Journal of Black

    Poetry, and Liberator, brought Black Arts movement poets to a larger

    audience when more established publications rejected their work. Two

    important publishing houses—Dudley Randall’s Broadside Press in

    Detroit and Madhubuti’s Third World Press in Chicago—were also

    instrumental in helping to introduce new poets and to disseminate their

    work. Umbra Workshop (1962–65), composed of a group of black

    writers, produced Umbra Magazine and gained significance as a literary

    group that created a distinct voice and often challenged mainstream

    standards concerning literature. Lastly, Baraka’s Black Arts Repertory

    Theatre/School, founded in 1965, brought free plays, poetry readings,

    and musical performances to the people of Harlem, thereby carrying out

    the idea of art as a communal experience.

    The Black Power movement, from which the Black Arts movement

    derived, sought to empower African- American communities

    economically and politically by relying solely on resources within the

    black community. It also sought to celebrate blackness and restore

    positive images of black people from the negative stereotyping that took

    place in the larger society. Thus slogans, such as “Black Is Beautiful,”

    were prominent during the time. Members of organizations, such as the

    Student Non-Violent Coordinating Committee (SNCC), under the

    leadership of Stokely Carmichael, and the Black Panther Party, founded

    by Huey Newton and Bobby Seale, demanded racial equality, not

    through the methods of passive resistance associated with Dr. Martin

    Luther King, Jr., but “by any means necessary” (a slogan of the party),

    including “violent revolution,” as stated by Malcolm X. Moreover,

    “black cultural nationalism,” the belief that blacks and whites had two

    separate worldviews and outlooks on life, was a prominent idea in both

    the Black Power and the Black Arts movements. As a result, Black Arts

    movement writers experimented with methods of artistic expression that

    were characteristic of African-American culture and experience. First all

    of the poetry was infused with a certain level of black consciousness,

    meaning that its subjects and themes reflected the quality and character

    of black experience. In form, Black Arts movement poets often rejected

    standard English in favor of Black English, a more colloquial and

    vernacular language and syntax. They peppered it with street slang and

    idiomatic phrases that were simple, direct, explicit, and often irreverent.

    In addition the poetry borrowed greatly from black music, using

    rhythmical effects from jazz and blues, as well as from other forms of

    black oral speech, such as sermons, folktales, signifying (an intricate,

    humorous language style that uses indirection, innuendo, puns,

    metaphors, and other wordplay to persuade, argue, send a message, or

    insult), and the dozens (a form of signifying that involves trading insults,

    primarily about a person’s relatives). Other common features of the

    poetry include free verse, short line lengths, call-and-response patterns,

    chanting, and free rhyming.

    The Black Arts movement had much in common with another period of

    increased artistic production among African-American writers—the

    Harlem Renaissance of the 1920s. During both periods, there was an

    increased interest in establishing a more assertive black collective

    identity than had previously existed (during the Harlem Renaissance, it

    was called “the New Negro”) and in searching for ethnic identity and

    heritage in folk and African culture. Thus poets from both periods

    experimented with folk elements, such as blues, spirituals, and

    vernacular idioms in their poetry, and venerated Africa. However,

    despite these similarities, many Black Arts movement writers were

    critical of the objectives of the Harlem Renaissance, believing it had

    failed to link itself concretely to the struggle of the black masses.

    Adherents of the Black Arts movement were also critical of Harlem

    Renaissance writers’ reliance on white patronage, as well as their

    tendency to esteem Western art, to desire mainstream recognition, and to

    write with a white audience in mind. They felt that this compromised

    black writers’ ability to be completely honest in their depiction and

    expression of black life and struggle.

    The Black Arts movement established a number of objectives and

    criteria for its creative artists to follow. Primary among them was to

    persuade African Americans to reject the mainstream culture and the

    process of Americanization and assimilation, instead encouraging them

    to embrace a “black aesthetic,” whereby black people would look to

    their own culture and aesthetic values to create and evaluate African-

    American literature. The three major criteria of the Black Arts

    movement, established by Ron Karenga, were that all black art must be

    “functional, collective, and committed” (33). The functional nature of

    black art meant that the literary work must serve a purpose larger than

    merely the creation of art. It had to be connected to the social and

    political struggles in which African-American people were engaged. The

    second criterion, that black art must be “collective,” meant that it must

    serve the people; it must educate, inspire, and uplift them. Reciprocally,

    the artist must learn from and be inspired and uplifted by the people. The

    artist must be prepared to sacrifice her or his own individuality and,

    instead, always write with the good of the people in mind. Third and

    lastly, black art must be committed to political and social reform and

    supportive of the revolution that will bring this about. In essence the

    Black Arts movement’s objectives were to reach the masses of black

    people, to make them understand their message of self-sufficiency and

    dignity, and to inspire them to act upon it.

    Many of the criteria and objectives of the Black Arts movement are

    discernible within the poetry itself. For example, in “From the Egyptian”

    in his 1966 collection Black Art, Baraka makes clear that violent

    confrontation with the oppressors of black people is an imminent reality

    as he asserts that he is prepared to murder “the enemies / of my father.”

    Likewise, in “The True Import of Present Dialogue, Black vs. Negro”

    in Black Feeling, Black Talk (1968), Giovanni tells black people: “We

    ain’t got to prove we can die / We got to prove we can kill.” Giovanni

    also demonstrates the criterion of commitment with “My Poem” (1968),

    when she writes in support of the revolution and its enduring nature,

    stating that “if i never do anything / it will go on.” The didacticism of

    much Black Arts poetry is visible in Baraka’s “A School of Prayer”

    (1966). In this poem, Baraka tells his black audience: “Do not obey their

    laws.” “Their,” of course, refers to white society. Essentially Baraka

    urges black people to rebel against white authority and be wary of the

    words spoken by those who seek to oppress them because their purpose

    is to deceive black people and curtail their advancement. The celebration

    of blackness is also noticeable in Black Arts poetry. Sanchez, perhaps

    the female poet most closely identified with the Black Arts movement,

    reclaims the dignity of black womanhood in an unnamed poem in her

    volume We a BaddDDD People (1970), when she links herself as a

    black woman to a regal African queen who will, “Walk / move in / blk

    queenly ways.” Similarly, in “Ka Ba” (1969), Baraka affirms the

    uniqueness of black expressive culture and of black people, whom he

    describes as “full of masks and dances and swelling chants / with

    African eyes and noses and arms,” despite the present condition of

    oppression and degradation under which many African Americans live.

    In both of these poems, Sanchez and Baraka seek to restore to black

    people a positive representation of blackness and raise their collective

    sense of identity.

    Many of the poems in Sanchez’s collection We a BaddDDD

    People exemplify experimentation with language. In

    “indianapolis/summer/1969/poem,” Sanchez provides a new spelling of

    the words mothers (“mothas”), fathers (“fathas”), and sisters (sistuhs”);

    the word about becomes “bout,” the word black becomes “blk,” and the

    word I becomes “i.” The changes in spelling, as well as the use of

    nonstandard English in Sanchez’s poems, are meant to capture the

    syntax and vernacular speech of many within the black community,

    while the abbreviated spelling of “blk” and the lower case “i” are part of

    Sanchez’s refusal to adhere to the rules of standard English. Many Black

    Arts poets perceived language to be a tool of the oppressor and therefore

    sought ways to make it their own. Lastly, the use of pejorative

    terminology and irreverent language was also common among Black

    Arts poets. The police were often referred to as “pigs,” and white people

    were termed “honkies” or “crackers.”

    Several criticisms have been leveled against the Black Arts movement.

    One was that it tended only to address issues of race and to promote

    racial hatred. Also the functional aspect of the Black Arts movement

    came to be denounced by newly emerging black literary critics who

    claimed that the literature itself was often subordinate to the political or

    social message of the movement. These critics saw this as detrimental to

    black literature, creating a narrowness of focus that creatively limited the

    artist and the kinds of literature he or she could compose. In addition

    there was a tendency in the Black Arts movement to devise theories

    prior to the creation of an actual body of literature that would prove the

    theory. Therefore the literature was driven by the theory rather than the

    other way around. Lastly, some Black Arts movement writers were

    known to judge harshly any black writer who did not conform to the

    criteria and objectives of the movement. Even black writers of the past

    were not exempt from being maligned, and Black Arts movement

    writers often did criticize them without always taking into consideration

    the historical period and context in which these past writers were

    composing their literature.

    Still the Black Arts movement’s influence and contributions to

    American poetry were far reaching. It made literary artists rethink the

    function and purpose of their work and their responsibility to their

    communities and to society. It also influenced and continues to inspire

    new generations of poets to experiment with a variety of artistic forms to

    refuse the pressure to conform to Western standards of art and to write,

    embrace, and derive their art from within their own expressive culture

    – 1
    – 2

  • [Solved] How does Penelope dealing with the grief over Odysseus’s absence?

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    Executive Solution Overview

    What do these chapters say about the **ideal of womanhood and femininity in the epic and Greek culture**? 1. What makes an ideal/good woman or goddess in _The Odyssey_? 2. What women are characterized as deviant? 3. Are there any problems with the ways in which the text portrays ideal and deviant wo…

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    Assignment Prompt & Instructions

    What do these chapters say about the **ideal of womanhood and femininity in the epic and Greek culture**?
    1. What makes an ideal/good woman or goddess in _The Odyssey_?
    2. What women are characterized as deviant?
    3. Are there any problems with the ways in which the text portrays ideal and deviant women?
    4. If you’re working on this general question, consider the following: certainly, it may be anachronistic or a-historical to evaluate issues of gender, race, sexuality and so forth in texts from former periods (especially something thousands of years old!) in light of present-day concepts/perceptions. Thus, one may think that it’s not fair to read Penelope, Calypso, Helen, etc. in light of current feminist ideals. However, I also think it’s not fair to assume that people in ancient times _didn’t_ question or debate the relationships between women and men, conflicts between sexes/genders, and the rights and roles of each. Thus, ask yourself whether a positive or negative portrayal of a female character, in the text, is necessarily what the text wants you to believe, **OR** whether the text plays around with such portrayals (e.g. most blatantly, how Menelaus seems to hate Helen now, whom he spent 10 years and the lives of thousands of men getting back) _so that we (including audiences in ancient Greece_) may have the tools to probe these questions and debate them. If so, find examples and discuss them!
    \
    WorldLit–HomerOdysseyselections.pdf](https://www.sweetstudy.com/files/worldlit-homerodysseyselections-pdf-10321693 "WorldLit–HomerOdysseyselections.pdf")

  • [Solved] Education edu 599 week 10 assignment

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Refer to attached documents – ## annotated-EDU2059920Week_8_Activity20.docx.pdf – ## edu599week10assignment.docx – ## annotated-EDU2059920Week20520activity20.docx.pdf – ## annotated-Week20320activity20AddressingStudentMentalHealthinHigherEducation.docx.pdf **## annotated-EDU2059920Week_8_Activit…

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    Assignment Prompt & Instructions

    Refer to attached documents

    – ## annotated-EDU2059920Week_8_Activity20.docx.pdf

    – ## edu599week10assignment.docx

    – ## annotated-EDU2059920Week20520activity20.docx.pdf

    – ## annotated-Week20320activity20AddressingStudentMentalHealthinHigherEducation.docx.pdf

    **## annotated-EDU2059920Week_8_Activity20.docx.pdf**

    EDU599 – Education Capstone – Week 8

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Student Name: Courtney Hopkins
    Date: May 28, 2025
    Class: EDU 599
    Professor: Vance

    Week 8 Activity Template
    Practice
    Inclusion

    The activity is called Collaborative Learning Circles and is used in a middle
    school social studies lesson about cultural diversity.
    Learners are grouped into small teams of 4 to 5, each with individuals having
    different abilities and backgrounds.
    Group members pick a country, study its culture, history and social matters
    and develop a presentation with visuals, a report and verbal comments.
    Teachers may use devices such as sentence starters, organizers and different
    roles to support students who have special needs or are learning English.
    The activity takes two weeks and is a section within the larger curriculum unit.

    It supports all students by promoting students to work together
    and by providing support in different ways. When students from
    different backgrounds mix, it promotes interaction, acceptance
    and teamwork. Using tools like graphic organizers and sentence
    starters helps students with language or organization skills.
    Assigning roles means that each student joins in based on their
    talents (Gal 1). When students can use oral, written and visual
    presentations, all types of learners have a way to engage. Using
    this approach helps diverse students succeed in academics and
    makes certain that all learners have the chance to take part.

    Gal, Carmit, and Chen Hanna Ryder. 2025. "Unlocking Potential: Comparing collaborative
    and Traditional Learning Methods for Students with Learning Disabilities in Special
    Education Classrooms." Social Sciences & Humanities Open 11: 101521.

    **## edu599week10assignment.docx**

    **EDU week 10 Assignment**

    Begin by gathering the 2 activities and 1 assignment (Assignment Attached) you submitted during this course. All of these prepared you for completing the capstone. In addition, review the media, Parts of Curriculum – ExplainedLinks to an external site., which provides explanations.

    prepare a 3 page unit of curriculum, with assessments, to promote student learning related to a current issue in the field of education. Your curriculum must contain all of the following elements as identified in the Week 10 Assignment Template (Template Attached)

    Identify who will be learning and in what setting. Keep in mind that the population and setting must align with each other.

    Target Audience or Population. This includes age groups (adult professionals, university students of traditional or non-traditional age groups, grade level of K-12 children) and any special characteristics of the students.

    Instructional Environment. Describe the setting in which learning will take place and through what interface(s). For example, will it be in person, hybrid, or online? Will it take place in a university classroom, a workplace conference room, or a school?

    Value or Relevance. Explain how the curriculum is valuable and relevant for the target population and, more broadly, for other stakeholders, such as the institution or society.

    Learning Objectives. Provide 3–5 learning objectives that are clear, measurable, and appropriate statements of what students will know or be able to do at the end of the curriculum unit.

    Design activities that are clearly aligned to meeting learning objectives, supported by a list of materials needed to accomplish the activities.

    Learning Activities. Describe activities that will engage students in learning, at least 1 for each learning objective. Learning activities include a wide variety of options depending on what is appropriate for the unit content and for the target audience.

    Required Materials. Include a list of the required materials, including everything students need to accomplish the learning objectives.

    Demonstrate the use of ethical and inclusive practices in the creation of learning activities and/or curriculum.

    Meeting Diverse Needs. Explain at least one concrete strategy you will use to meet the diverse needs of the target population of students you have identified.

    Meeting Ethical Standards. Connect your curriculum to a relevant ethical standard. Cite the ethical standard and explain how solving or improving the educational issue is required by the standard or how an educator can meet the ethical standard in implementing the unit of curriculum.

    Varied Assessments. Describe at least 2 assessments of different types supported by learning activities that measure student learning of the objectives. Each assessment may assess more than one learning objective. Provide a one-paragraph (3–5 sentences) description of each assessment, including what students will do and how the assessment is appropriate to measure the learning identified by the objective.

    Use 4–5 credible, relevant, and appropriate sources to support your writing. Cite each source listed on your source page at least once within your assignment.

    **We do not use APA format, we do not use the word "References" instead use "Sources" for the title. Also, we use the Strayer Writing Standards when listing the articles under the sources page, list them in numerical order to match the order in which you introduced the in-text citations. Then list the full article using the following four items as follows: Source, 1. The Author's First and Last Name. Year of Publication (No parenthesis). Title of the Article (No Italics)**

    **## annotated-EDU2059920Week20520activity20.docx.pdf**

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Student Name: Courtney Hopkins
    Date: May 7, 2025
    Class: EDU 599
    Professor: Vance

    Week 5 Assignment Template

    Main Idea

    Addressing student mental
    health in higher education is

    vital for academic success and
    well-being

    Scope/Significance

    Student mental health
    issues are growing,
    with recent studies
    showing that 30% of
    students experience
    high levels of stress
    (Scherer, 1).
    Mental health
    challenges van lead to
    academic decline,
    reduced student
    engagement, and
    increased droupout
    rates (Hill, 2).

    Ethics

    Confidentiality

    Maintaning student
    confidentiality
    ensures they can
    seek help without
    fear of exposure or
    stigma, fostering a
    trusting relationship
    between students
    and educators
    (Mirza, 3).

    Source

    Learning

    Awareness
    campaigns:
    Educate students
    and staff about
    mental health
    issues through
    workshops,
    posters, and
    digital content

    Stress
    management
    workshops:
    Organize
    workshops that
    teach studnets
    effective coping
    strategies, such
    as mindfulness
    and time
    management.

    Peer support
    networks: Establish
    peer-led groups
    where students can
    share experiences
    and offer
    emotional support,
    fostering a sense of
    community and
    reducing feelings of
    isolation.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Theory

    Social Learning Theory

    The theory emphasizes
    learning through obseravtion

    and imitation of others
    (Rotter, 4). It is effective fpr
    addressing studnet mental

    health, as students can adopt
    coping strategies by observing

    their peers and educators
    demonstrating healthy

    behaviors.

    Activity

    Peer discussion group on
    mental health

    Students will engage in small
    group discussions where they can
    share personal experiences, learn
    coping mechanisms, and support
    each other. This aligns with Social
    Learning Theory by encouraging
    learning form peers in a
    supportive environment.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Peer discussion group is based on Social Learning Theory aimed to let students learn though
    observations and simulations. By encouraging students to talk about their own experiences and how
    they deal with stress, those in distress observe healthy behaviors and appropriate reactions. This
    environment makes students change their coping strategies and learn about mental health through
    films and interacting with their counterparts (Widnall, 5). One advantage of the group is that culture
    modelling occurs as students get to observe the way their fellow students respond to stress, self-
    identify, and interact with mental health issues, thus making the environment greatly supportive as
    well as educational.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Sources

    1. Scherer, L.A. and Leshner, A.I. eds., 2021. Mental health, substance use, and wellbeing in higher
    education: Supporting the whole student.

    2. Hill, M., Farrelly, N., Clarke, C. and Cannon, M., 2024. Student mental health and well-being:
    overview and future directions. Irish Journal of Psychological Medicine, 41(2), pp.259-266.

    3. Mirza, S., 2023. Maintaining confidentiality. BDJ In Practice, 36(11), pp.36-37.
    4. Rotter, J.B., 2021. Social learning theory. In Expectations and actions (pp. 241-260). Routledge.
    5. Widnall, Emily, Steve Dodd, Ruth Simmonds, Helen Bohan, Abigail Russell, Mark Limmer, and

    Judi Kidger. 2021. "A process evaluation of a peer education project to improve mental health
    literacy in secondary school students: study protocol." BMC Public Health 21. 1-7.

    **## annotated-Week20320activity20AddressingStudentMentalHealthinHigherEducation.docx.pdf**

    1

    Courtney Hopkins

    Professor Vance

    EDU 599 Week 3 Activity Select an issue in Education

    April 22, 2025

    2

    Addressing Student Mental Health in Higher Education

    A topical problem of present-day higher education institutions is the problem of students’

    mental health. In the evening, more students across the campuses of different universities and

    colleges in the United States show signs of anxiety or depression and stress that hinders

    academic achievement and development. This paper will focus on discussing the sources of

    stress and anxiety among college students based on the American College Health Association

    Report, of which 60.5% of college students suffered overwhelming anxiety within a year and

    over 40% of students had depression that hindered them from functioning effectively. This is

    true because it affects the performance of scholars, increases their dropout rates, and has lifetime

    personal and career implications (Bailey, 1). This is an area that learning institutions must

    address in their programs by teaching the students how to cope with stress and develop resilience

    as well as identifying when to seek help.

    In order to address this, there is a need to design a learning activity that is based on a

    curriculum to support the teachings in the classroom, for which one of the theories that can be

    applied is Bandura’s Social Learning Theory. This theory pivots on knowledge through

    imitation, observation, and modeling, which makes it convenient in practicing peer group

    tutoring and emotional intimacy. A possible learning experience can be “The Resilience

    Workshop Series,” in which the participants discuss with their counterparts’ videos on

    confidence building/stress management that include a success story of other participants

    addressing (and overcoming) academic and/or emotive challenges (Ilmiani, 2). These workshops

    would also involve drama and role-play-based skill development activities on stress

    3

    management, methods of handling stress, ways of managing stress on the job, role-play on the

    method of handling stress on the job, and other related topics.

    The social learning theory lends support to this activity because it reinforces the thesis

    that students are more likely to practice positive behaviors when the same is demonstrated by

    others acting upon the same behavior, and this time when they see them doing so in managing

    stress effectively (Weston, 3). Beyond empathy, it creates a community that shares support,

    which is critical to reducing stigma and promoting students to place mental wellness among

    other points of importance.

    4

    Sources

    1.Bailey, C. P., Lowry, M., Napolitano, M., Hoban, M. T., Kukich, C., & Perna, F. M. (2022).

    Prevalence of physical activity requirements among US colleges/universities participating

    in the American College Health Association-National College Health Assessment

    II. INQUIRY: The Journal of Health Care Organization, Provision, and Financing, 59,

    00469580221087891. https://journals.sagepub.com/doi/abs/10.1177/00469580221087891

    2.Ilmiani, A. M., Wahdah, N., & Mubarak, M. R. (2021). The application of Albert Bandura's

    Social Cognitive Theory: A process in learning speaking skill. Ta'lim al-'Arabiyyah:

    Jurnal Pendidikan Bahasa Arab & Kebahasaaraban, 5(2), 181-192.

    https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945

    3.Weston, L. Y. (2022). Teaching resilience and mental health across the curriculum: a guide

    for high school and college teachers. Routledge.

    https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-

    mental-health-across-curriculum-linda-yaron-weston

    [https://journals.sagepub.com/doi/abs/10.1177/00469580221087891](https://journals.sagepub.com/doi/abs/10.1177/00469580221087891)

    [https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945](https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    **## annotated-Week20320activity20AddressingStudentMentalHealthinHigherEducation.docx.pdf**

    1

    Courtney Hopkins

    Professor Vance

    EDU 599 Week 3 Activity Select an issue in Education

    April 22, 2025

    2

    Addressing Student Mental Health in Higher Education

    A topical problem of present-day higher education institutions is the problem of students’

    mental health. In the evening, more students across the campuses of different universities and

    colleges in the United States show signs of anxiety or depression and stress that hinders

    academic achievement and development. This paper will focus on discussing the sources of

    stress and anxiety among college students based on the American College Health Association

    Report, of which 60.5% of college students suffered overwhelming anxiety within a year and

    over 40% of students had depression that hindered them from functioning effectively. This is

    true because it affects the performance of scholars, increases their dropout rates, and has lifetime

    personal and career implications (Bailey, 1). This is an area that learning institutions must

    address in their programs by teaching the students how to cope with stress and develop resilience

    as well as identifying when to seek help.

    In order to address this, there is a need to design a learning activity that is based on a

    curriculum to support the teachings in the classroom, for which one of the theories that can be

    applied is Bandura’s Social Learning Theory. This theory pivots on knowledge through

    imitation, observation, and modeling, which makes it convenient in practicing peer group

    tutoring and emotional intimacy. A possible learning experience can be “The Resilience

    Workshop Series,” in which the participants discuss with their counterparts’ videos on

    confidence building/stress management that include a success story of other participants

    addressing (and overcoming) academic and/or emotive challenges (Ilmiani, 2). These workshops

    would also involve drama and role-play-based skill development activities on stress

    3

    management, methods of handling stress, ways of managing stress on the job, role-play on the

    method of handling stress on the job, and other related topics.

    The social learning theory lends support to this activity because it reinforces the thesis

    that students are more likely to practice positive behaviors when the same is demonstrated by

    others acting upon the same behavior, and this time when they see them doing so in managing

    stress effectively (Weston, 3). Beyond empathy, it creates a community that shares support,

    which is critical to reducing stigma and promoting students to place mental wellness among

    other points of importance.

    4

    Sources

    1.Bailey, C. P., Lowry, M., Napolitano, M., Hoban, M. T., Kukich, C., & Perna, F. M. (2022).

    Prevalence of physical activity requirements among US colleges/universities participating

    in the American College Health Association-National College Health Assessment

    II. INQUIRY: The Journal of Health Care Organization, Provision, and Financing, 59,

    00469580221087891. https://journals.sagepub.com/doi/abs/10.1177/00469580221087891

    2.Ilmiani, A. M., Wahdah, N., & Mubarak, M. R. (2021). The application of Albert Bandura's

    Social Cognitive Theory: A process in learning speaking skill. Ta'lim al-'Arabiyyah:

    Jurnal Pendidikan Bahasa Arab & Kebahasaaraban, 5(2), 181-192.

    https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945

    3.Weston, L. Y. (2022). Teaching resilience and mental health across the curriculum: a guide

    for high school and college teachers. Routledge.

    https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-

    mental-health-across-curriculum-linda-yaron-weston

    [https://journals.sagepub.com/doi/abs/10.1177/00469580221087891](https://journals.sagepub.com/doi/abs/10.1177/00469580221087891)

    [https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945](https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    **## annotated-EDU2059920Week_8_Activity20.docx.pdf**

    EDU599 – Education Capstone – Week 8

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Student Name: Courtney Hopkins
    Date: May 28, 2025
    Class: EDU 599
    Professor: Vance

    Week 8 Activity Template
    Practice
    Inclusion

    The activity is called Collaborative Learning Circles and is used in a middle
    school social studies lesson about cultural diversity.
    Learners are grouped into small teams of 4 to 5, each with individuals having
    different abilities and backgrounds.
    Group members pick a country, study its culture, history and social matters
    and develop a presentation with visuals, a report and verbal comments.
    Teachers may use devices such as sentence starters, organizers and different
    roles to support students who have special needs or are learning English.
    The activity takes two weeks and is a section within the larger curriculum unit.

    It supports all students by promoting students to work together
    and by providing support in different ways. When students from
    different backgrounds mix, it promotes interaction, acceptance
    and teamwork. Using tools like graphic organizers and sentence
    starters helps students with language or organization skills.
    Assigning roles means that each student joins in based on their
    talents (Gal 1). When students can use oral, written and visual
    presentations, all types of learners have a way to engage. Using
    this approach helps diverse students succeed in academics and
    makes certain that all learners have the chance to take part.

    Gal, Carmit, and Chen Hanna Ryder. 2025. "Unlocking Potential: Comparing collaborative
    and Traditional Learning Methods for Students with Learning Disabilities in Special
    Education Classrooms." Social Sciences & Humanities Open 11: 101521.

    **## edu599week10assignment.docx**

    **EDU week 10 Assignment**

    Begin by gathering the 2 activities and 1 assignment (Assignment Attached) you submitted during this course. All of these prepared you for completing the capstone. In addition, review the media, Parts of Curriculum – ExplainedLinks to an external site., which provides explanations.

    prepare a 3 page unit of curriculum, with assessments, to promote student learning related to a current issue in the field of education. Your curriculum must contain all of the following elements as identified in the Week 10 Assignment Template (Template Attached)

    Identify who will be learning and in what setting. Keep in mind that the population and setting must align with each other.

    Target Audience or Population. This includes age groups (adult professionals, university students of traditional or non-traditional age groups, grade level of K-12 children) and any special characteristics of the students.

    Instructional Environment. Describe the setting in which learning will take place and through what interface(s). For example, will it be in person, hybrid, or online? Will it take place in a university classroom, a workplace conference room, or a school?

    Value or Relevance. Explain how the curriculum is valuable and relevant for the target population and, more broadly, for other stakeholders, such as the institution or society.

    Learning Objectives. Provide 3–5 learning objectives that are clear, measurable, and appropriate statements of what students will know or be able to do at the end of the curriculum unit.

    Design activities that are clearly aligned to meeting learning objectives, supported by a list of materials needed to accomplish the activities.

    Learning Activities. Describe activities that will engage students in learning, at least 1 for each learning objective. Learning activities include a wide variety of options depending on what is appropriate for the unit content and for the target audience.

    Required Materials. Include a list of the required materials, including everything students need to accomplish the learning objectives.

    Demonstrate the use of ethical and inclusive practices in the creation of learning activities and/or curriculum.

    Meeting Diverse Needs. Explain at least one concrete strategy you will use to meet the diverse needs of the target population of students you have identified.

    Meeting Ethical Standards. Connect your curriculum to a relevant ethical standard. Cite the ethical standard and explain how solving or improving the educational issue is required by the standard or how an educator can meet the ethical standard in implementing the unit of curriculum.

    Varied Assessments. Describe at least 2 assessments of different types supported by learning activities that measure student learning of the objectives. Each assessment may assess more than one learning objective. Provide a one-paragraph (3–5 sentences) description of each assessment, including what students will do and how the assessment is appropriate to measure the learning identified by the objective.

    Use 4–5 credible, relevant, and appropriate sources to support your writing. Cite each source listed on your source page at least once within your assignment.

    **We do not use APA format, we do not use the word "References" instead use "Sources" for the title. Also, we use the Strayer Writing Standards when listing the articles under the sources page, list them in numerical order to match the order in which you introduced the in-text citations. Then list the full article using the following four items as follows: Source, 1. The Author's First and Last Name. Year of Publication (No parenthesis). Title of the Article (No Italics)**

    **## annotated-EDU2059920Week20520activity20.docx.pdf**

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Student Name: Courtney Hopkins
    Date: May 7, 2025
    Class: EDU 599
    Professor: Vance

    Week 5 Assignment Template

    Main Idea

    Addressing student mental
    health in higher education is

    vital for academic success and
    well-being

    Scope/Significance

    Student mental health
    issues are growing,
    with recent studies
    showing that 30% of
    students experience
    high levels of stress
    (Scherer, 1).
    Mental health
    challenges van lead to
    academic decline,
    reduced student
    engagement, and
    increased droupout
    rates (Hill, 2).

    Ethics

    Confidentiality

    Maintaning student
    confidentiality
    ensures they can
    seek help without
    fear of exposure or
    stigma, fostering a
    trusting relationship
    between students
    and educators
    (Mirza, 3).

    Source

    Learning

    Awareness
    campaigns:
    Educate students
    and staff about
    mental health
    issues through
    workshops,
    posters, and
    digital content

    Stress
    management
    workshops:
    Organize
    workshops that
    teach studnets
    effective coping
    strategies, such
    as mindfulness
    and time
    management.

    Peer support
    networks: Establish
    peer-led groups
    where students can
    share experiences
    and offer
    emotional support,
    fostering a sense of
    community and
    reducing feelings of
    isolation.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Theory

    Social Learning Theory

    The theory emphasizes
    learning through obseravtion

    and imitation of others
    (Rotter, 4). It is effective fpr
    addressing studnet mental

    health, as students can adopt
    coping strategies by observing

    their peers and educators
    demonstrating healthy

    behaviors.

    Activity

    Peer discussion group on
    mental health

    Students will engage in small
    group discussions where they can
    share personal experiences, learn
    coping mechanisms, and support
    each other. This aligns with Social
    Learning Theory by encouraging
    learning form peers in a
    supportive environment.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Peer discussion group is based on Social Learning Theory aimed to let students learn though
    observations and simulations. By encouraging students to talk about their own experiences and how
    they deal with stress, those in distress observe healthy behaviors and appropriate reactions. This
    environment makes students change their coping strategies and learn about mental health through
    films and interacting with their counterparts (Widnall, 5). One advantage of the group is that culture
    modelling occurs as students get to observe the way their fellow students respond to stress, self-
    identify, and interact with mental health issues, thus making the environment greatly supportive as
    well as educational.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Sources

    1. Scherer, L.A. and Leshner, A.I. eds., 2021. Mental health, substance use, and wellbeing in higher
    education: Supporting the whole student.

    2. Hill, M., Farrelly, N., Clarke, C. and Cannon, M., 2024. Student mental health and well-being:
    overview and future directions. Irish Journal of Psychological Medicine, 41(2), pp.259-266.

    3. Mirza, S., 2023. Maintaining confidentiality. BDJ In Practice, 36(11), pp.36-37.
    4. Rotter, J.B., 2021. Social learning theory. In Expectations and actions (pp. 241-260). Routledge.
    5. Widnall, Emily, Steve Dodd, Ruth Simmonds, Helen Bohan, Abigail Russell, Mark Limmer, and

    Judi Kidger. 2021. "A process evaluation of a peer education project to improve mental health
    literacy in secondary school students: study protocol." BMC Public Health 21. 1-7.

    **## annotated-Week20320activity20AddressingStudentMentalHealthinHigherEducation.docx.pdf**

    1

    Courtney Hopkins

    Professor Vance

    EDU 599 Week 3 Activity Select an issue in Education

    April 22, 2025

    2

    Addressing Student Mental Health in Higher Education

    A topical problem of present-day higher education institutions is the problem of students’

    mental health. In the evening, more students across the campuses of different universities and

    colleges in the United States show signs of anxiety or depression and stress that hinders

    academic achievement and development. This paper will focus on discussing the sources of

    stress and anxiety among college students based on the American College Health Association

    Report, of which 60.5% of college students suffered overwhelming anxiety within a year and

    over 40% of students had depression that hindered them from functioning effectively. This is

    true because it affects the performance of scholars, increases their dropout rates, and has lifetime

    personal and career implications (Bailey, 1). This is an area that learning institutions must

    address in their programs by teaching the students how to cope with stress and develop resilience

    as well as identifying when to seek help.

    In order to address this, there is a need to design a learning activity that is based on a

    curriculum to support the teachings in the classroom, for which one of the theories that can be

    applied is Bandura’s Social Learning Theory. This theory pivots on knowledge through

    imitation, observation, and modeling, which makes it convenient in practicing peer group

    tutoring and emotional intimacy. A possible learning experience can be “The Resilience

    Workshop Series,” in which the participants discuss with their counterparts’ videos on

    confidence building/stress management that include a success story of other participants

    addressing (and overcoming) academic and/or emotive challenges (Ilmiani, 2). These workshops

    would also involve drama and role-play-based skill development activities on stress

    3

    management, methods of handling stress, ways of managing stress on the job, role-play on the

    method of handling stress on the job, and other related topics.

    The social learning theory lends support to this activity because it reinforces the thesis

    that students are more likely to practice positive behaviors when the same is demonstrated by

    others acting upon the same behavior, and this time when they see them doing so in managing

    stress effectively (Weston, 3). Beyond empathy, it creates a community that shares support,

    which is critical to reducing stigma and promoting students to place mental wellness among

    other points of importance.

    4

    Sources

    1.Bailey, C. P., Lowry, M., Napolitano, M., Hoban, M. T., Kukich, C., & Perna, F. M. (2022).

    Prevalence of physical activity requirements among US colleges/universities participating

    in the American College Health Association-National College Health Assessment

    II. INQUIRY: The Journal of Health Care Organization, Provision, and Financing, 59,

    00469580221087891. https://journals.sagepub.com/doi/abs/10.1177/00469580221087891

    2.Ilmiani, A. M., Wahdah, N., & Mubarak, M. R. (2021). The application of Albert Bandura's

    Social Cognitive Theory: A process in learning speaking skill. Ta'lim al-'Arabiyyah:

    Jurnal Pendidikan Bahasa Arab & Kebahasaaraban, 5(2), 181-192.

    https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945

    3.Weston, L. Y. (2022). Teaching resilience and mental health across the curriculum: a guide

    for high school and college teachers. Routledge.

    https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-

    mental-health-across-curriculum-linda-yaron-weston

    [https://journals.sagepub.com/doi/abs/10.1177/00469580221087891](https://journals.sagepub.com/doi/abs/10.1177/00469580221087891)

    [https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945](https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    **## annotated-EDU2059920Week_8_Activity20.docx.pdf**

    EDU599 – Education Capstone – Week 8

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Student Name: Courtney Hopkins
    Date: May 28, 2025
    Class: EDU 599
    Professor: Vance

    Week 8 Activity Template
    Practice
    Inclusion

    The activity is called Collaborative Learning Circles and is used in a middle
    school social studies lesson about cultural diversity.
    Learners are grouped into small teams of 4 to 5, each with individuals having
    different abilities and backgrounds.
    Group members pick a country, study its culture, history and social matters
    and develop a presentation with visuals, a report and verbal comments.
    Teachers may use devices such as sentence starters, organizers and different
    roles to support students who have special needs or are learning English.
    The activity takes two weeks and is a section within the larger curriculum unit.

    It supports all students by promoting students to work together
    and by providing support in different ways. When students from
    different backgrounds mix, it promotes interaction, acceptance
    and teamwork. Using tools like graphic organizers and sentence
    starters helps students with language or organization skills.
    Assigning roles means that each student joins in based on their
    talents (Gal 1). When students can use oral, written and visual
    presentations, all types of learners have a way to engage. Using
    this approach helps diverse students succeed in academics and
    makes certain that all learners have the chance to take part.

    Gal, Carmit, and Chen Hanna Ryder. 2025. "Unlocking Potential: Comparing collaborative
    and Traditional Learning Methods for Students with Learning Disabilities in Special
    Education Classrooms." Social Sciences & Humanities Open 11: 101521.

    **## edu599week10assignment.docx**

    **EDU week 10 Assignment**

    Begin by gathering the 2 activities and 1 assignment (Assignment Attached) you submitted during this course. All of these prepared you for completing the capstone. In addition, review the media, Parts of Curriculum – ExplainedLinks to an external site., which provides explanations.

    prepare a 3 page unit of curriculum, with assessments, to promote student learning related to a current issue in the field of education. Your curriculum must contain all of the following elements as identified in the Week 10 Assignment Template (Template Attached)

    Identify who will be learning and in what setting. Keep in mind that the population and setting must align with each other.

    Target Audience or Population. This includes age groups (adult professionals, university students of traditional or non-traditional age groups, grade level of K-12 children) and any special characteristics of the students.

    Instructional Environment. Describe the setting in which learning will take place and through what interface(s). For example, will it be in person, hybrid, or online? Will it take place in a university classroom, a workplace conference room, or a school?

    Value or Relevance. Explain how the curriculum is valuable and relevant for the target population and, more broadly, for other stakeholders, such as the institution or society.

    Learning Objectives. Provide 3–5 learning objectives that are clear, measurable, and appropriate statements of what students will know or be able to do at the end of the curriculum unit.

    Design activities that are clearly aligned to meeting learning objectives, supported by a list of materials needed to accomplish the activities.

    Learning Activities. Describe activities that will engage students in learning, at least 1 for each learning objective. Learning activities include a wide variety of options depending on what is appropriate for the unit content and for the target audience.

    Required Materials. Include a list of the required materials, including everything students need to accomplish the learning objectives.

    Demonstrate the use of ethical and inclusive practices in the creation of learning activities and/or curriculum.

    Meeting Diverse Needs. Explain at least one concrete strategy you will use to meet the diverse needs of the target population of students you have identified.

    Meeting Ethical Standards. Connect your curriculum to a relevant ethical standard. Cite the ethical standard and explain how solving or improving the educational issue is required by the standard or how an educator can meet the ethical standard in implementing the unit of curriculum.

    Varied Assessments. Describe at least 2 assessments of different types supported by learning activities that measure student learning of the objectives. Each assessment may assess more than one learning objective. Provide a one-paragraph (3–5 sentences) description of each assessment, including what students will do and how the assessment is appropriate to measure the learning identified by the objective.

    Use 4–5 credible, relevant, and appropriate sources to support your writing. Cite each source listed on your source page at least once within your assignment.

    **We do not use APA format, we do not use the word "References" instead use "Sources" for the title. Also, we use the Strayer Writing Standards when listing the articles under the sources page, list them in numerical order to match the order in which you introduced the in-text citations. Then list the full article using the following four items as follows: Source, 1. The Author's First and Last Name. Year of Publication (No parenthesis). Title of the Article (No Italics)**

    **## annotated-EDU2059920Week20520activity20.docx.pdf**

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Student Name: Courtney Hopkins
    Date: May 7, 2025
    Class: EDU 599
    Professor: Vance

    Week 5 Assignment Template

    Main Idea

    Addressing student mental
    health in higher education is

    vital for academic success and
    well-being

    Scope/Significance

    Student mental health
    issues are growing,
    with recent studies
    showing that 30% of
    students experience
    high levels of stress
    (Scherer, 1).
    Mental health
    challenges van lead to
    academic decline,
    reduced student
    engagement, and
    increased droupout
    rates (Hill, 2).

    Ethics

    Confidentiality

    Maintaning student
    confidentiality
    ensures they can
    seek help without
    fear of exposure or
    stigma, fostering a
    trusting relationship
    between students
    and educators
    (Mirza, 3).

    Source

    Learning

    Awareness
    campaigns:
    Educate students
    and staff about
    mental health
    issues through
    workshops,
    posters, and
    digital content

    Stress
    management
    workshops:
    Organize
    workshops that
    teach studnets
    effective coping
    strategies, such
    as mindfulness
    and time
    management.

    Peer support
    networks: Establish
    peer-led groups
    where students can
    share experiences
    and offer
    emotional support,
    fostering a sense of
    community and
    reducing feelings of
    isolation.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Theory

    Social Learning Theory

    The theory emphasizes
    learning through obseravtion

    and imitation of others
    (Rotter, 4). It is effective fpr
    addressing studnet mental

    health, as students can adopt
    coping strategies by observing

    their peers and educators
    demonstrating healthy

    behaviors.

    Activity

    Peer discussion group on
    mental health

    Students will engage in small
    group discussions where they can
    share personal experiences, learn
    coping mechanisms, and support
    each other. This aligns with Social
    Learning Theory by encouraging
    learning form peers in a
    supportive environment.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Peer discussion group is based on Social Learning Theory aimed to let students learn though
    observations and simulations. By encouraging students to talk about their own experiences and how
    they deal with stress, those in distress observe healthy behaviors and appropriate reactions. This
    environment makes students change their coping strategies and learn about mental health through
    films and interacting with their counterparts (Widnall, 5). One advantage of the group is that culture
    modelling occurs as students get to observe the way their fellow students respond to stress, self-
    identify, and interact with mental health issues, thus making the environment greatly supportive as
    well as educational.

    EDU599 – Education Capstone – Week 5

    © 2024 Strayer University. All Rights Reserved. This document contains Strayer University confidential and
    proprietary information and may not be copied, further distributed, or otherwise disclosed in whole or in part, without
    the expressed written permission of Strayer University.

    Sources

    1. Scherer, L.A. and Leshner, A.I. eds., 2021. Mental health, substance use, and wellbeing in higher
    education: Supporting the whole student.

    2. Hill, M., Farrelly, N., Clarke, C. and Cannon, M., 2024. Student mental health and well-being:
    overview and future directions. Irish Journal of Psychological Medicine, 41(2), pp.259-266.

    3. Mirza, S., 2023. Maintaining confidentiality. BDJ In Practice, 36(11), pp.36-37.
    4. Rotter, J.B., 2021. Social learning theory. In Expectations and actions (pp. 241-260). Routledge.
    5. Widnall, Emily, Steve Dodd, Ruth Simmonds, Helen Bohan, Abigail Russell, Mark Limmer, and

    Judi Kidger. 2021. "A process evaluation of a peer education project to improve mental health
    literacy in secondary school students: study protocol." BMC Public Health 21. 1-7.

    **## annotated-Week20320activity20AddressingStudentMentalHealthinHigherEducation.docx.pdf**

    1

    Courtney Hopkins

    Professor Vance

    EDU 599 Week 3 Activity Select an issue in Education

    April 22, 2025

    2

    Addressing Student Mental Health in Higher Education

    A topical problem of present-day higher education institutions is the problem of students’

    mental health. In the evening, more students across the campuses of different universities and

    colleges in the United States show signs of anxiety or depression and stress that hinders

    academic achievement and development. This paper will focus on discussing the sources of

    stress and anxiety among college students based on the American College Health Association

    Report, of which 60.5% of college students suffered overwhelming anxiety within a year and

    over 40% of students had depression that hindered them from functioning effectively. This is

    true because it affects the performance of scholars, increases their dropout rates, and has lifetime

    personal and career implications (Bailey, 1). This is an area that learning institutions must

    address in their programs by teaching the students how to cope with stress and develop resilience

    as well as identifying when to seek help.

    In order to address this, there is a need to design a learning activity that is based on a

    curriculum to support the teachings in the classroom, for which one of the theories that can be

    applied is Bandura’s Social Learning Theory. This theory pivots on knowledge through

    imitation, observation, and modeling, which makes it convenient in practicing peer group

    tutoring and emotional intimacy. A possible learning experience can be “The Resilience

    Workshop Series,” in which the participants discuss with their counterparts’ videos on

    confidence building/stress management that include a success story of other participants

    addressing (and overcoming) academic and/or emotive challenges (Ilmiani, 2). These workshops

    would also involve drama and role-play-based skill development activities on stress

    3

    management, methods of handling stress, ways of managing stress on the job, role-play on the

    method of handling stress on the job, and other related topics.

    The social learning theory lends support to this activity because it reinforces the thesis

    that students are more likely to practice positive behaviors when the same is demonstrated by

    others acting upon the same behavior, and this time when they see them doing so in managing

    stress effectively (Weston, 3). Beyond empathy, it creates a community that shares support,

    which is critical to reducing stigma and promoting students to place mental wellness among

    other points of importance.

    4

    Sources

    1.Bailey, C. P., Lowry, M., Napolitano, M., Hoban, M. T., Kukich, C., & Perna, F. M. (2022).

    Prevalence of physical activity requirements among US colleges/universities participating

    in the American College Health Association-National College Health Assessment

    II. INQUIRY: The Journal of Health Care Organization, Provision, and Financing, 59,

    00469580221087891. https://journals.sagepub.com/doi/abs/10.1177/00469580221087891

    2.Ilmiani, A. M., Wahdah, N., & Mubarak, M. R. (2021). The application of Albert Bandura's

    Social Cognitive Theory: A process in learning speaking skill. Ta'lim al-'Arabiyyah:

    Jurnal Pendidikan Bahasa Arab & Kebahasaaraban, 5(2), 181-192.

    https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945

    3.Weston, L. Y. (2022). Teaching resilience and mental health across the curriculum: a guide

    for high school and college teachers. Routledge.

    https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-

    mental-health-across-curriculum-linda-yaron-weston

    [https://journals.sagepub.com/doi/abs/10.1177/00469580221087891](https://journals.sagepub.com/doi/abs/10.1177/00469580221087891)

    [https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945](https://journal.uinsgd.ac.id/index.php/Talim/article/view/12945)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    [https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston](https://www.taylorfrancis.com/books/mono/10.4324/9781003318408/teaching-resilience-mental-health-across-curriculum-linda-yaron-weston)

    – 1
    – 2
    – 3
    – 4

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